prettier; dating from the time of the Spaniards, and one of the oldest in Valenciennes.

October 1701.

Chiefly through the solicitations of my father, old Watteau has consented to place Antony with a teacher of painting here. I meet him betimes on the way to his lessons, as I return from Mass; for he still works with the masons, but making the most of late and early hours, of every moment of liberty. And then he has the feast-days, of which there are so many in this old-fashioned place. Ah! such gifts as his, surely, may once in a way make much industry seem worth while. He makes a wonderful progress. And yet, far from being set-up, and too easily pleased with what, after all, comes to him so easily, he has, my father thinks, too little self-approval for ultimate success. He is apt, in truth, to fall out too hastily with himself and what he produces. Yet here also there is the "golden mean." Yes! I could fancy myself offended by a sort of irony which sometimes crosses the half-melancholy sweetness of manner habitual with him; only that

as I can see, he treats himself to the same quality.

October 1701.

Antony Watteau comes here often now. It is the instinct of a natural fineness in him, to escape when he can from that blank stone house, with so little to interest, and that homely old man and woman. The rudeness of his home has turned his feeling for even the simpler graces of life into a physical want, like hunger or thirst, which might come to greed; and methinks he perhaps over-values these things. Still, made as he is, his hard fate in that rude place must needs touch one. And then, he profits by the experience of my father, who has much knowledge in matters of art beyond his own art of sculpture; and Antony is not unwelcome to him. In these last rainy weeks especially, when he can't sketch out of doors, when the wind only half dries the pavement before another torrent comes, and people stay at home, and the only sound from without is the creaking of a restless shutter on its hinges, or the march across the Place of those weary soldiers, coming and going so interminably, one

hardly knows whether to or from battle with the English and the Austrians, from victory or defeat :-Well! he has become like one of our family. "He will go far!" my father declares. He would go far, in the literal sense, if he might-to Paris, to Rome. It must be admitted that our Valenciennes is a quiet, nay! a sleepy place; sleepier than ever since it became French, and ceased to be so near the frontier. The grass is growing deep on our old ramparts, and it is pleasant to walk there-to walk there and muse; pleasant for a tame, unambitious soul such as mine.

December 1702.

They

A scene-painter

Antony Watteau left us for Paris this morning. It came upon us quite suddenly. amuse themselves in Paris. we have here, well known in Flanders, has been engaged to work in one of the Parisian playhouses; and young Watteau, of whom he had some slight knowledge, has departed in his company. He doesn't know it was I who persuaded the scene-painter to take him; that he would find the lad useful. We offered him our little presents-fine thread-lace of our own

making for his ruffles, and the like; for one must make a figure in Paris, and he is slim and well-formed. For myself, I presented him with a silken purse I had long ago embroidered for another. Well! we shall follow his fortunes (of which I for one feel quite sure) at a distance. Old Watteau didn't know of his departure, and has been here in great anger.

December 1703.

Twelve months to-day since Antony went to Paris! The first struggle must be a sharp one for an unknown lad in that vast, overcrowded place, even if he be as clever as young Antony Watteau. We may think, however, that he is on the way to his chosen end, for he returns not home; though, in truth, he tells those poor old people very little of himself. The apprentices of the M. Métayer for whom he works, labour all day long, each at a single part only, coiffure, or robe, or hand, of the cheap pictures of religion or fantasy he exposes for sale at a low price along the footways of the Pont Notre-Dame. Antony is already the most skilful of them, and seems to have been

promoted of late to work on church pictures. I like the thought of that. He receives three livres a week for his pains, and his soup daily.

May 1705.

Antony Watteau has parted from the dealer in pictures à bon marché, and works now with a painter of furniture pieces (those headpieces for doors and the like, now in fashion) who is also concierge of the Palace of the Luxembourg. Antony is actually lodged somewhere in that grand place, which contains the king's collection of the Italian pictures he would so willingly copy. Its gardens also are magnificent, with something, as we understand from him, altogether of a novel kind in their disposition and embellishment. Ah! how I delight myself, in fancy at least, in those beautiful gardens, freer and trimmed less stiffly than those of other royal houses. Methinks I see him there, when his long summer-day's work is over, enjoying the cool shade of the stately, broad- foliaged trees, each of which is a great courtier, though it has its way almost as if it belonged to that