Reading Aloud: A Technique in the Interpretation of LiteratureT. Nelson and Sons, 1941 - 506 páginas |
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Página 135
... syllable -mark . When there is a regular recurrence of heavy and light syllables we have what is called metre . In words of more than one syllable , the heavy or accented syllables are easily distinguished from the unaccented . If we ...
... syllable -mark . When there is a regular recurrence of heavy and light syllables we have what is called metre . In words of more than one syllable , the heavy or accented syllables are easily distinguished from the unaccented . If we ...
Página 217
... syllables of polysyllabic words . For instance , in locomotive all three o's are considered " long " , but they do not all have the same quality . The third o is more rounded and more open than the first , and the first is more open and ...
... syllables of polysyllabic words . For instance , in locomotive all three o's are considered " long " , but they do not all have the same quality . The third o is more rounded and more open than the first , and the first is more open and ...
Página 370
... syllables at equal intervals of time , separated by varying numbers of light syllables . Such rhythm is perceivable in high sounding prose . Note , for instance , this passage from De Quincey's English Mail Coach : From the silence and ...
... syllables at equal intervals of time , separated by varying numbers of light syllables . Such rhythm is perceivable in high sounding prose . Note , for instance , this passage from De Quincey's English Mail Coach : From the silence and ...
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Reading Aloud: Technique in the Interpretation of Literature Wayland Maxfield Parrish Vista de fragmentos - 1932 |
Términos y frases comunes
actor artist attention attitude beauty become begin better breath called chapter course criticism dark deep emotion expression eyes face fall feel give hand head hear heard heart heaven imagination important interpretation keep kind King language leaves less light literature living look marks matter meaning method mind mood nature never night Note once pass passage pattern permission person phrase play poem poet poetry practice pronounced pronunciation prose reader reading reason rhythm round seems selection sense sentence sing sometimes soul sound speak speech spirit stand student suggest sure sweet syllables tell thee things thou thought tion tone tongue true understand verse vocal voice vowel whole words