Reading Aloud: A Technique in the Interpretation of LiteratureT. Nelson and Sons, 1941 - 506 páginas |
Dentro del libro
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Página 65
... languages , —may not be able to speak any but his own , may have read very few books . 5. But whatever language he knows , he knows precisely ; whatever word he pronounces , he pro- nounces rightly ; above all , he is learned in the ...
... languages , —may not be able to speak any but his own , may have read very few books . 5. But whatever language he knows , he knows precisely ; whatever word he pronounces , he pro- nounces rightly ; above all , he is learned in the ...
Página 218
... language is his native tongue , unless he has spoken it from boyhood . We will require also that he be widely educated , particularly in English literature , through which he will come to know the genius of the language . We must also ...
... language is his native tongue , unless he has spoken it from boyhood . We will require also that he be widely educated , particularly in English literature , through which he will come to know the genius of the language . We must also ...
Página 222
... language . They combine to form syllables , and syllables combine into breath - groups . The word is not a unit of spoken language . These breath - groups are often quite long . Most readers , for in- stance , would read with one ...
... language . They combine to form syllables , and syllables combine into breath - groups . The word is not a unit of spoken language . These breath - groups are often quite long . Most readers , for in- stance , would read with one ...
Otras ediciones - Ver todas
Reading Aloud: Technique in the Interpretation of Literature Wayland Maxfield Parrish Vista de fragmentos - 1932 |
Términos y frases comunes
accent actor artist attitude beauty bird breath captain's gig chapter consonant criticism dark diphthong dream earth emotion Eohippus expression eyes feel give GORGO Guy Wetmore Carryl hand hath hear heard hearers heart heaven Homer imagination interpretation Jesse James John Keats John of Austria King light lips literature living look meaning method metre mind Miniver Miniver Cheevy mood moon muscles nature never night Note oral reading passage pattern pause Percy Bysshe Shelley permission person phrase poem poet poet's poetry PRAXINOA preter pronounced pronunciation prose Quintilian reader resonance rhapsode rhythm rime Romeo selection sentence Shakespeare silent sing Socrates soul sound speak speech spirit student sure sweet syllables teacher thee things thou thought tion tone tongue understand verse vocal voice vowel Wilfred Owen William Shakespeare William Wordsworth words