Or with the Moon conquering earth's misty air,
And filling more and more with crystal light
As pensive Evening deepens into night.
KOTHA, my Spiritual Child! this head was gray
When at the sacred font for thee I stood;
Pledged till thou reach the verge of womanhood,
And shalt become thy own sufficient stay:
Too late, I feel, sweet Orphan! was the day
For steadfast hope the contract to fulfil;
Yet shall my blessing hover o'er thee still,
Embodied in the music of this Lay,
Breathed forth beside the peaceful mountain
Stream*
Whose murmur soothed thy languid Mother's ear After her throes, this Stream of name more dear
Since thou dost bear it, a memorial theme
For others; for thy future self, a spell
To summon fancies out of Time's dark cell.
A GRAVESTONE UPON THE FLOOR IN THE CLOISTERS OF WORCESTER CATHEDRAL.
"MISERRIMUS!" and neither name nor date, Prayer, text, or symbol, graven upon the stone;
The river Rotha, that flows into Windermere from the Lakes of Grasmere and Rydal.
Naught but that word assigned to the unknown,
From all, and cast a cloud around the fate
Of him who lies beneath. Most wretched one,
Who chose his epitaph? — Himself alone
Could thus have dared the grave to agitate,
And claim, among the dead, this awful crown;
Nor doubt that He marked also for his own
Close to these cloistral steps a burial-place,
That every foot might fall with heavier tread,
Trampling upon his vileness. Stranger, pass
Softly! To save the contrite, Jesus bled.
ROMAN ANTIQUITIES DISCOVERED AT BISHOPSTONE,
HEREFORDSHIRE.
WHILE poring Antiquarians search the ground
Upturned with curious pains, the Bard, a Seer,
Takes fire: The men that have been reappear;
Romans for travel girt, for business gowned;
And some recline on couches, myrtle-crowned,
In festal glee: why not? For fresh and clear,
As if its hues were of the passing year,
Dawns this time-buried pavement. From that
mound
Hoards may come forth of Trajans, Maximins,
Shrunk into coins with all their warlike toil:
Or a fierce impress issues with its foil
the Wolf, whose suckling Twins
The unlettered ploughboy pities when he wins
The casual treasure from the furrowed soil.
CHATSWORTH! thy stately mansion, and the pride
Of thy domain, strange contrast do present
To house and home in many a craggy rent
Of the wild Peak; where new-born waters glide
Through fields whose thrifty occupants abide
As in a dear and chosen banishment,
With every semblance of entire content;
So kind is simple Nature, fairly tried!
Yet He whose heart in childhood gave her troth
To pastoral dales, thin-set with modest farms,
May learn, if judgment strengthen with his growth
That not for Fancy only pomp hath charms;
And, strenuous to protect from lawless harms
The extremes of favored life, may honor both.
A TRADITION OF OKER HILL IN DARLEY DALE,
'Tis said that to the brow of yon fair hill
Two Brothers clomb, and, turning face to face,
Nor one look more exchanging, grief to still
Or feed, each planted on that lofty place
A chosen Tree; then, eager to fulfil
Their courses, like two new-born rivers, they
In opposite directions urged their way
Down from the far-seen mount. No blast might kill
Or blight that fond memorial;
- the trees grew,
And now entwine their arms; but ne'er again
Embraced those Brothers upon earth's wide plain;
Nor aught of mutual joy or sorrow knew
Until their spirits mingled in the sea
That to itself takes all, Eternity.
(On the Way-side between Preston and Liverpool.!
UNTOUCHED through all severity of cold;
Inviolate, whate'er the cottage hearth
Might need for comfort, or for festal mirth;
That Pile of Turf is half a century old:
Yes, Traveller! fifty winters have been told
Since suddenly the dart of death went forth
'Gainst him who raised it, his last work on earth:
Thence has it, with the Son, so strong a hold
Upon his Father's memory, that his hands,
Through reverence, touch it only to repair
Its waste. Though crumbling with each breath
Rude Mausoleum! but wrens nestle there,
And redbreasts warble when sweet sounds are rare.
TO THE AUTHOR'S PORTRAIT.
Painted at Rydal Mount, by W. Pickersgill, Esq., for St.
John's College, Cambridge. I
Go, faithful Portrait! and where long hath knelt
Margaret, the saintly Foundress, take thy place;
And, if Time spare the colors for the grace
Which to the work surpassing skill hath dealt,
Thou, on thy rock reclined, though kingdoms melt
And states be torn up by the roots, wilt seem
To breathe in rural peace, to hear the stream,
And think and feel as once the Poet felt.
Whate'er thy fate, those features have not grown
Unrecognized through many a household tear,
More prompt, more glad, to fall than drops of dew
By morning shed around a flower half-blown ;
Tears of delight, that testified how true
To life thou art, and, in thy truth, how dear!
WHY art thou silent? Is thy love a plant
Of such weak fibre that the treacherous air
Of absence withers what was once so fair?
Is there no debt to pay, no boon to grant?
Yet have my thoughts for thee been vigilant,
Bound to thy service with unceasing care,
The mind's least generous wish a mendicant
For naught but what thy happiness could spare.
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