NOTES. Page 56. "And, hovering, round it often did a raven fly." From a short MS. poem read to me when an undergrada ate, by my schoolfellow and friend, Charles Farish, long since deceased. The verses were by a brother of his, a man of promising genius, who died young. Page 80. "The Borderers." This Dramatic Piece, as noticed in its title-page, was com posed in 1795-6. It lay nearly from that time till within the last two or three months unregarded among my papers, with out being mentioned even to my most intimate friends. Ha ing, however, impressions upon my mind which made ma unwilling to destroy the MS., I determined to undertake the responsibility of publishing it during my own life, rather tha impose upon my successors the task of deciding its fate. Ac cordingly, it has been revised with some care; but as it was at first written, and is now published, without any view to its exhibition upon the stage, not the slightest alteration has been made in the conduct of the story, or the composition of the characters; above all, in respect to the two leading Persons of the Drama, I felt no inducement to make any change. The study of human nature suggests this awful truth, that, as in the trials to which life subjects us, sin and crime are apt to start from their very opposite qualities, so are there no limits to the hardening of the heart and the perversion of the understanding to which they may carry their slaves. During my long residence in France, while the Revolution was rapidly advancing to its extreme of wickedness, I had frequent opportunities of being an eyewitness of this process, and it was while that knowledge was fresh upon my memory, that the Tragedy of "The Borderers" was composed. Page 225. "The Norman Boy." "Among ancient trees there are few, I believe, at least in France, so worthy of attention as an Oak which may be seen in the Pays de Caux,' about a league from Yvetot, close to the church, and in the burial-ground of Allonville. "The height of this tree does not answer to its girth; the trunk, from the roots to the summit, forms a complete cone; and the inside of this cone is hollow throughout the whole of its height. "Such is the Oak of Allonville, in its state of nature. The hand of man, however, has endeavored to impress upon it a character still more interesting, by adding a religious feeling to the respect which its age naturally inspires. "The lower part of its hollow trunk has been transformed into a Chapel of six or seven feet in diameter, carefully wainscotted and paved, and an open iron gate guards the humble sanctuary. Leading to it there is a staircase, which twists round the body of the tree. At certain seasons of the year divine service is performed in this Chapel. "The summit has been broken off many years, but there is a surface at the top of the trunk, of the diameter of a very large tree, and from it rises a pointed roof, covered with slates, in the form of a steeple, which is surmounted with an iron Cross, that rises in a picturesque manner from the middle of the leaves, like an ancient Hermitage above the surrounding Wood. "Over the entrance to the Chapel an Inscription appears, which informs us it was erected by the Abbé du Détroit, Curate of Allonville in the year 1696; and over a door is another dedicating it To Our Lady of Peace.'" Vide No. 14, Saturday Magazine. END OF VOL. I. POEMS ON THE NAMING OF PLACES. ADVERTISEMENT. By persons resident in the country and attached to rural objects, many places will be found unnamed or of unknown names, where little incidents must have occurred, or feelings been experienced, which will have given to such places a private and peculiar interest. From a wish to give some sort of record to such incidents, and renew the gratifica tion of such feelings, names have been given to places by the Author and some of his friends, and the following Poems written in consequence. I. Ir was an April morning: fresh and clear Ran with a young man's speed; and yet the voice Them and their object: but, meanwhile, prevailed Such an entire contentment in the air, That every naked ash, and tardy tree Or like some natural produce of the air, That could not cease to be. Green leaves were here; But 't was the foliage of the rocks, the birch, |