And others of your kind, ideal crew!

While here sits One whose brightness owes its hues
To flesh and blood; no Goddess from above,
No fleeting Spirit, but my own true Love?

VIII.

THE fairest, brightest hues of ether fade;
The sweetest notes must terminate and die ;
O Friend! thy flute has breathed a harmony
Softly resounded through this rocky glade;
Such strains of rapture as *the Genius played
In his still haunt on Bagdad's summit high;
He who stood visible to Mirza's eye,
Never before to human sight betrayed.
Lo, in the vale, the mists of evening spread!
The visionary Arches are not there,
Nor the green Islands, nor the shining Seas;
Yet sacred is to me this Mountain's head,
Whence I have risen, uplifted on the breeze
Of harmony, above all earthly care.

IX.

UPON THE SIGHT OF A BEAUTIFUL PICTURE,

Painted by Sir G. H. Beaumont, Bart.

PRAISED be the Art whose subtle power could stay Yon cloud, and fix it in that glorious shape;

* See the Vision of Mirza in the Spectator.

Nor would permit the thin smoke to escape,
Nor those bright sunbeams to forsake the day;
Which stopped that band of travellers on their way,
Ere they were lost within the shady wood;
And showed the Bark upon the glassy flood
For ever anchored in her sheltering bay.
Soul-soothing Art! whom Morning, Noontide, Even,
Do serve with all their changeful pageantry;
Thou, with ambition modest yet sublime,
Here, for the sight of mortal man, hast given
To one brief moment caught from fleeting time
The appropriate calm of blest eternity.

X.

WHY, Minstrel, these untuneful murmurings, Dull, flagging notes that with each other jar?" "Think, gentle Lady, of a Harp so far From its own country, and forgive the strings." A simple answer! but even so forth springs, From the Castalian fountains of the heart, The Poetry of Life, and all that Art Divine of words quickening insensate things. From the submissive necks of guiltless men Stretched on the block, the glittering axe recoils; Sun, moon, and stars, all struggle in the toils Of mortal sympathy; what wonder then That the poor Harp distempered music yields To its sad Lord, far from his native fields?

AERIAL ROCK,

XI.

whose solitary brow

- how

From this low threshold daily meets my.sight,
When I step forth to hail the morning light,
Or quit the stars with a lingering farewell,
Shall Fancy pay to thee a grateful vow?
How, with the Muse's aid, her love attest?

By planting on thy naked head the crest
Of an imperial Castle, which the plough
Of ruin shall not touch. Innocent scheme!
That doth presume no more than to supply
A grace
the sinuous vale and roaring stream
Want, through neglect of hoar Antiquity.
Rise, then, ye votive Towers! and catch a gleam
Of golden sunset, ere it fade and die.

XII.

TO SLEEP.

O GENTLE SLEEP! do they belong to thee,
These twinklings of oblivion? Thou dost love
To sit in meekness, like the brooding Dove,
A captive never wishing to be free.
This tiresome night, O Sleep! thou art to me
A Fly, that up and down himself doth shove
Upon a fretful rivulet, now above,

Now on the water vexed with mockery.
I have no pain that calls for patience, no;

Hence am I cross and peevish as a child:
Am pleased by fits to have thee for my foe,
Yet ever willing to be reconciled:

O gentle Creature! do not use me so,
But once and deeply let me be beguiled.

XIII.

TO SLEEP.

FOND words have oft been spoken to thee, Sleep;
And thou hast had thy store of tenderest names;
The very sweetest Fancy culls or frames,
When thankfulness of heart is strong and deep!
Dear Bosom-child we call thee, that dost steep
In rich reward all suffering; Balm that tames
All anguish; Saint that evil thoughts and aims
Takest away, and into souls dost creep,
Like to a breeze from heaven. Shall I alone,
I surely not a man ungently made,
Call thee worst Tyrant by which flesh is crost?
Perverse, self-willed to own and to disown,
Mere slave of them who never for thee prayed,
Still last to come where thou art wanted most!

XIV.

TO SLEEP.

A FLOCK of sheep that leisurely pass by,
One after one; the sound of rain, and bees

Murmuring; the fall of rivers, winds and seas,
Smooth fields, white sheets of water, and pure sky;
I have thought of all by turns, and yet to lie
Sleepless! and soon the small birds' melodies
Must hear, first uttered from my orchard trees;
And the first cuckoo's melancholy cry.
Even thus last night, and two nights more, I lay,
And could not win thee, Sleep! by any stealth;
So do not let me wear to-night away:

Without thee what is all the morning's wealth?
Come, blessed barrier between day and day,
Dear mother of fresh thoughts and joyous health!

XV.

THE WILD DUCK'S NEST.

THE imperial Consort of the Fairy-king
Owns not a sylvan bower; or gorgeous cell
With emerald floored, and with purpureal shell
Ceilinged and roofed; that is so fair a thing
As this low structure, for the tasks of Spring
Prepared by one who loves the buoyant swell
Of the brisk waves, yet here consents to dwell,
And spreads in steadfast peace her brooding wing.
Words cannot paint the o'ershadowing yew-tree
bough,

And dimly-gleaming Nest, a hollow crown
Of golden leaves inlaid with silver down,
Fine as the mother's softest plumes allow: