James Beattie's The Minstrel and the Origins of Romantic AutobiographyE. Mellen Press, 1992 - 312 páginas Using The Minstrel as a creative model, Everard King illuminates the sources and nature of Romantic autobiography in the works of Burns, Wordsworth, Coleridge, Shelley, Keats, Scott, Byron, and Chateaubriand. |
Términos y frases comunes
Aberdeen addition adventures Alastor attempts autobiographical bard Beattian Beattie Beattie's hermit Beattie's minstrel Beattie's poem Book Burns Burns's Byron Canto character charms Chateaubriand Childe Harold Childe Harold's Pilgrimage claim Coleridge composition consequence Descriptive Sketches dream early Edwin Edwinian eighteenth-century Endymion English Ernest de Selincourt Essay Excursion experiences explore expression extent fancy fictional genius Gray Gray's growth heart hero hints hope ideas images imitation important indicate influence James Beattie's John Keats Keats Keats's poem landscape literary literature London mature melancholy moral Mount Snowdon mountains Muse nature nature's passage poet's poetic identity Preface Prelude presentation readers recollections remarkable René result Robert Burns Romantic poets Romanticism scenes Scott Scottish Scottish Literature seems Shelley Shelley's similar solitude song soul Spenserian Spenserian stanza stanza sublime theme Thomas Gray Thomson thought truth University Press Vale of Esthwaite verbal echoes verse vision Wanderer William Wordsworth Wordsworth Wordsworth's poetry Wordsworthian writing youth