Sound and Music: An Elementary Treatise on the Physical Constitution of Musical Sounds and HarmonyMacmillan, 1896 - 223 páginas |
Dentro del libro
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Página 94
... overtones , of the clang . This nomenclature is the direct adaptation of the German terms employed by Helmholtz . Its introduction is due to Professor Tyndall . 47. This long discussion has paved the way for the complete explanation of ...
... overtones , of the clang . This nomenclature is the direct adaptation of the German terms employed by Helmholtz . Its introduction is due to Professor Tyndall . 47. This long discussion has paved the way for the complete explanation of ...
Página 97
... overtones piano . The different cases which present themselves are the following : ( p , ƒ , ƒ ) , ( p , p , ƒ ) , ( ƒ , ƒ , p ) , ( ƒ , ƒ , ƒ ) , ( ƒ , p , ƒ ) , ( f , p , p ) , ( p , ƒ , p ) , ( p , p , p ) or seven in all , since ( p ...
... overtones piano . The different cases which present themselves are the following : ( p , ƒ , ƒ ) , ( p , p , ƒ ) , ( ƒ , ƒ , p ) , ( ƒ , ƒ , ƒ ) , ( ƒ , p , ƒ ) , ( f , p , p ) , ( p , ƒ , p ) , ( p , p , p ) or seven in all , since ( p ...
Página 100
... overtones which do not follow the series of such tones set out in § 43. If , how- ever , the fork is mounted on its resonance - box , as in Fig . 24 , p . 85 , its proper note is so much strength- ened that the extraneous sound is by ...
... overtones which do not follow the series of such tones set out in § 43. If , how- ever , the fork is mounted on its resonance - box , as in Fig . 24 , p . 85 , its proper note is so much strength- ened that the extraneous sound is by ...
Página 113
... overtones is cut off . Hence very thin mobile strings are favourable , thick weighty strings un- favourable , to the production of a large number of partial - tones . 55. Having examined what determines the quality of the sound of a ...
... overtones is cut off . Hence very thin mobile strings are favourable , thick weighty strings un- favourable , to the production of a large number of partial - tones . 55. Having examined what determines the quality of the sound of a ...
Página 118
... overtones of a compound sound with middle C for its fundamental - tone , except that the successive intervals are reckoned downwards instead of upwards . The wires of all these notes will reinforce the tone of the tuning - fork by reso ...
... overtones of a compound sound with middle C for its fundamental - tone , except that the successive intervals are reckoned downwards instead of upwards . The wires of all these notes will reinforce the tone of the tuning - fork by reso ...
Otras ediciones - Ver todas
Sound and Music: An Elementary Treatise on the Physical Constitution of ... Sedley Taylor Sin vista previa disponible - 2019 |
Sound and Music: A Non-Mathematical Treatise on the Physical Constitution of ... Sedley Taylor Sin vista previa disponible - 2015 |
Términos y frases comunes
absolute pitch Accordingly air-column air-particles amplitude associated wave-form beats chords clang coincides combination-tone composite sounds concord consonance and dissonance consonant corresponding crest discord dissonance distance equal waves exactly Fifth figure fixed flue-pipes follows fork forms of vibration Fourth fundamental-tone give rise harmonium heard Helmholtz Hence horizontal human voice initial line instrument intensity interval inversion length loudness Major Minor Seventh Minor Sixth Minor Third mode of vibration motion moving Musical notation musical sound nodes obtained Octave open pipe opposite directions overtones pair partial-tones particle-vibration particles pendulum pianoforte piston pitch position pressure produced prong pulse of condensation pulse of rarefaction pulse-lengths rate of vibration resonance resonance-boxes result scale shown in Fig simple tones single musical stopped pipe string suppose swing tion tonic Tonic Sol-fa traversing triads trough tube tuning tuning-fork unison ventral segments vertical vibration-fraction vibration-numbers vibrations per second wave-length wires