Reading Aloud: Technique in the Interpretation of LiteratureT. Nelson and sons, 1932 - 401 páginas |
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Página 21
... words that we have heard and read . We do not invent words . To a lesser extent our constructions are those that we have heard and read . It is true that we some- times make new combinations of words , and t is this invention which the ...
... words that we have heard and read . We do not invent words . To a lesser extent our constructions are those that we have heard and read . It is true that we some- times make new combinations of words , and t is this invention which the ...
Página 43
... words is beyond pardon . It is never safe to guess at pronunciations . You should make prompt and thorough investigation of every word about which there exists the least doubt , and if you do not have doubts about words of which your ...
... words is beyond pardon . It is never safe to guess at pronunciations . You should make prompt and thorough investigation of every word about which there exists the least doubt , and if you do not have doubts about words of which your ...
Página 49
... words will create pauses just where they are most needed . Emphasis . I have pointed out that primitive speech was prob- ably made up of sentence words , and that our speech expresses , often by cumbersome phrases , what could be ...
... words will create pauses just where they are most needed . Emphasis . I have pointed out that primitive speech was prob- ably made up of sentence words , and that our speech expresses , often by cumbersome phrases , what could be ...
Contenido
CHAPTER PAGE | 11 |
OBJECTIVES IN THE STUDY OF ORAL READING | 18 |
V INTERPRETATION OF ATTITUDE | 69 |
Derechos de autor | |
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Reading Aloud: A Technique in the Interpretation of Literature Wayland Maxfield Parrish Vista de fragmentos - 1941 |
Términos y frases comunes
accent actor aloud artist attitude beauty better bird breath captain's gig chapter comic consonant Coryphodon dark diaphragm diphthong dreams emotion Eohippus expression eyes feel give GORGO hath hear hearers heart heaven Hiram Corson Homer imagination imitation interpretation John Keats language light literature live look meaning method metre mind Miniver Miniver Cheevy mood muscles nature never Note oral reading passage pattern pause Percy Bysshe Shelley person phrase poem poet poet's poetry practice PRAXINOA preter pronounced pronunciation prose Quintilian reader resonance rhapsode rhythm rime Robert Browning Ruddigore selection sentence silent sing sleep Socrates soul sound speak speech spirit suggestion sure sweet syllables teacher thee things thou thought tion tone tongue understand UNIVERSITY OF CALIFORNIA utterance verse voice voiceless vowel William Shakespeare William Wordsworth words