Reading Aloud: Technique in the Interpretation of LiteratureT. Nelson and sons, 1932 - 401 páginas |
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Página 116
... VERSE So far we have worked only with prose . We have purposely avoided selections from poetry because the reading of poetry in- volves two additional factors which greatly complicate the task of interpretation : first , poetry is ...
... VERSE So far we have worked only with prose . We have purposely avoided selections from poetry because the reading of poetry in- volves two additional factors which greatly complicate the task of interpretation : first , poetry is ...
Página 117
... verse as if it were prose . But surely if a writer chooses to use verse rather than prose , he does so for a reason . We need to discover what that reason is . We can not read verse with ap- preciation until we understand something of ...
... verse as if it were prose . But surely if a writer chooses to use verse rather than prose , he does so for a reason . We need to discover what that reason is . We can not read verse with ap- preciation until we understand something of ...
Página 125
... verse blind you to its content . Begin your study by a careful paraphrase of the thought of your selection . Note where pause and emphasis dictated by the verse conflict with those dictated by the sense . 27. Be sure that you understand ...
... verse blind you to its content . Begin your study by a careful paraphrase of the thought of your selection . Note where pause and emphasis dictated by the verse conflict with those dictated by the sense . 27. Be sure that you understand ...
Contenido
CHAPTER PAGE | 11 |
OBJECTIVES IN THE STUDY OF ORAL READING | 18 |
V INTERPRETATION OF ATTITUDE | 69 |
Derechos de autor | |
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Reading Aloud: A Technique in the Interpretation of Literature Wayland Maxfield Parrish Vista de fragmentos - 1941 |
Términos y frases comunes
accent actor aloud artist attitude beauty better bird breath captain's gig chapter comic consonant Coryphodon dark diaphragm diphthong dreams emotion Eohippus expression eyes feel give GORGO hath hear hearers heart heaven Hiram Corson Homer imagination imitation interpretation John Keats language light literature live look meaning method metre mind Miniver Miniver Cheevy mood muscles nature never Note oral reading passage pattern pause Percy Bysshe Shelley person phrase poem poet poet's poetry practice PRAXINOA preter pronounced pronunciation prose Quintilian reader resonance rhapsode rhythm rime Robert Browning Ruddigore selection sentence silent sing sleep Socrates soul sound speak speech spirit suggestion sure sweet syllables teacher thee things thou thought tion tone tongue understand UNIVERSITY OF CALIFORNIA utterance verse voice voiceless vowel William Shakespeare William Wordsworth words