Reading Aloud: Technique in the Interpretation of LiteratureT. Nelson and sons, 1932 - 401 páginas |
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Página 118
... syllable -mark . When there is a regular recurrence of heavy and light syllables we have what is called metre . In words of more than one syllable , the heavy or accented syllables are easily distinguished from the unaccented . If we ...
... syllable -mark . When there is a regular recurrence of heavy and light syllables we have what is called metre . In words of more than one syllable , the heavy or accented syllables are easily distinguished from the unaccented . If we ...
Página 298
... syllables - by the beat of four into which you might get as many syllables as you could , instead of allotting eight syllables to the poor line whatever it might have to say . " 13 In this case " as many syllables as you could " means ...
... syllables - by the beat of four into which you might get as many syllables as you could , instead of allotting eight syllables to the poor line whatever it might have to say . " 13 In this case " as many syllables as you could " means ...
Página 303
... syllables at equal intervals in time with varying numbers of light syllables between . Contiguous heavy syllables often contribute remarkable effects . There is also sometimes a pleasure in un- analyzable cadence patterns . All these ...
... syllables at equal intervals in time with varying numbers of light syllables between . Contiguous heavy syllables often contribute remarkable effects . There is also sometimes a pleasure in un- analyzable cadence patterns . All these ...
Contenido
CHAPTER PAGE | 11 |
OBJECTIVES IN THE STUDY OF ORAL READING | 18 |
V INTERPRETATION OF ATTITUDE | 69 |
Derechos de autor | |
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Reading Aloud: A Technique in the Interpretation of Literature Wayland Maxfield Parrish Vista de fragmentos - 1941 |
Términos y frases comunes
accent actor aloud artist attitude beauty better bird breath captain's gig chapter comic consonant Coryphodon dark diaphragm diphthong dreams emotion Eohippus expression eyes feel give GORGO hath hear hearers heart heaven Hiram Corson Homer imagination imitation interpretation John Keats language light literature live look meaning method metre mind Miniver Miniver Cheevy mood muscles nature never Note oral reading passage pattern pause Percy Bysshe Shelley person phrase poem poet poet's poetry practice PRAXINOA preter pronounced pronunciation prose Quintilian reader resonance rhapsode rhythm rime Robert Browning Ruddigore selection sentence silent sing sleep Socrates soul sound speak speech spirit suggestion sure sweet syllables teacher thee things thou thought tion tone tongue understand UNIVERSITY OF CALIFORNIA utterance verse voice voiceless vowel William Shakespeare William Wordsworth words