Reading Aloud: Technique in the Interpretation of LiteratureT. Nelson and sons, 1932 - 401 páginas |
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Página 35
... speak as we have become ac- customed to speak . Custom is indeed , as Whately says , a second nature , but we must not " be natural " in this sense unless we are sure that our customs of utterance are in conformity with those who may be ...
... speak as we have become ac- customed to speak . Custom is indeed , as Whately says , a second nature , but we must not " be natural " in this sense unless we are sure that our customs of utterance are in conformity with those who may be ...
Página 372
... speak of the same things ; and that almost all poets do speak of the same things ? Ion . Why then , Socrates , do I lose attention and go to sleep and have absolutely no ideas of the least value , when any one speaks of any other poet ...
... speak of the same things ; and that almost all poets do speak of the same things ? Ion . Why then , Socrates , do I lose attention and go to sleep and have absolutely no ideas of the least value , when any one speaks of any other poet ...
Página 376
... speak well ? -not surely about every part . Ion . There is no part , Socrates , about which I do not speak well ; of that I can assure you . Soc . Surely not about things in Homer of which you have no knowledge ? Ion . And what is there ...
... speak well ? -not surely about every part . Ion . There is no part , Socrates , about which I do not speak well ; of that I can assure you . Soc . Surely not about things in Homer of which you have no knowledge ? Ion . And what is there ...
Contenido
CHAPTER PAGE | 11 |
OBJECTIVES IN THE STUDY OF ORAL READING | 18 |
V INTERPRETATION OF ATTITUDE | 69 |
Derechos de autor | |
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Reading Aloud: A Technique in the Interpretation of Literature Wayland Maxfield Parrish Vista de fragmentos - 1941 |
Términos y frases comunes
accent actor aloud artist attitude beauty better bird breath captain's gig chapter comic consonant Coryphodon dark diaphragm diphthong dreams emotion Eohippus expression eyes feel give GORGO hath hear hearers heart heaven Hiram Corson Homer imagination imitation interpretation John Keats language light literature live look meaning method metre mind Miniver Miniver Cheevy mood muscles nature never Note oral reading passage pattern pause Percy Bysshe Shelley person phrase poem poet poet's poetry practice PRAXINOA preter pronounced pronunciation prose Quintilian reader resonance rhapsode rhythm rime Robert Browning Ruddigore selection sentence silent sing sleep Socrates soul sound speak speech spirit suggestion sure sweet syllables teacher thee things thou thought tion tone tongue understand UNIVERSITY OF CALIFORNIA utterance verse voice voiceless vowel William Shakespeare William Wordsworth words