Reading Aloud: Technique in the Interpretation of LiteratureT. Nelson and sons, 1932 - 401 páginas |
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Página 15
... sometimes intricate inter - relations of the parts of a sentence , of balance , subordination , and contrast , and so have difficulty in understanding any but the most simple constructions . They cannot hold in mind the various elements ...
... sometimes intricate inter - relations of the parts of a sentence , of balance , subordination , and contrast , and so have difficulty in understanding any but the most simple constructions . They cannot hold in mind the various elements ...
Página 48
... Sometimes the parts of one group will be separated from each other by intervening groups , as in this unusual sentence from Tennyson's " Launcelot and Elaine " : I , sometime call'd the maid of Astolat , Come , for you left me taking no ...
... Sometimes the parts of one group will be separated from each other by intervening groups , as in this unusual sentence from Tennyson's " Launcelot and Elaine " : I , sometime call'd the maid of Astolat , Come , for you left me taking no ...
Página 194
... sometimes called the inverted vowel . In England and in New England this inversion is condemned , and as there spoken the sound is nearer to short e or short u , being nearly equivalent to German umlaut o as in Goethe . In the South it ...
... sometimes called the inverted vowel . In England and in New England this inversion is condemned , and as there spoken the sound is nearer to short e or short u , being nearly equivalent to German umlaut o as in Goethe . In the South it ...
Contenido
CHAPTER PAGE | 11 |
OBJECTIVES IN THE STUDY OF ORAL READING | 18 |
V INTERPRETATION OF ATTITUDE | 69 |
Derechos de autor | |
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Reading Aloud: A Technique in the Interpretation of Literature Wayland Maxfield Parrish Vista de fragmentos - 1941 |
Términos y frases comunes
accent actor aloud artist attitude beauty better bird breath captain's gig chapter comic consonant Coryphodon dark diaphragm diphthong dreams emotion Eohippus expression eyes feel give GORGO hath hear hearers heart heaven Hiram Corson Homer imagination imitation interpretation John Keats language light literature live look meaning method metre mind Miniver Miniver Cheevy mood muscles nature never Note oral reading passage pattern pause Percy Bysshe Shelley person phrase poem poet poet's poetry practice PRAXINOA preter pronounced pronunciation prose Quintilian reader resonance rhapsode rhythm rime Robert Browning Ruddigore selection sentence silent sing sleep Socrates soul sound speak speech spirit suggestion sure sweet syllables teacher thee things thou thought tion tone tongue understand UNIVERSITY OF CALIFORNIA utterance verse voice voiceless vowel William Shakespeare William Wordsworth words