Reading Aloud: Technique in the Interpretation of LiteratureT. Nelson and sons, 1932 - 401 páginas |
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Página 317
... represent what the poet says , but to represent him . And it is just as bad a mistake to suppose that in reading a dra- matic poem one should try to make the audience believe that the character represented is speaking . Not even in a ...
... represent what the poet says , but to represent him . And it is just as bad a mistake to suppose that in reading a dra- matic poem one should try to make the audience believe that the character represented is speaking . Not even in a ...
Página 330
... representing the truth of the poet's mood , he must represent the moods of what Browning called " imaginary persons ” . And he must suggest not only their emotions but their characters , their actions , and , at times , a particular ...
... representing the truth of the poet's mood , he must represent the moods of what Browning called " imaginary persons ” . And he must suggest not only their emotions but their characters , their actions , and , at times , a particular ...
Página 331
... represents . The arts are forms of imitation . They do not , however , literally copy natural objects ; they represent what is typical , universal , or ideal in them . The dramatic poet and the impersonator imitate men in action - their ...
... represents . The arts are forms of imitation . They do not , however , literally copy natural objects ; they represent what is typical , universal , or ideal in them . The dramatic poet and the impersonator imitate men in action - their ...
Contenido
CHAPTER PAGE | 11 |
OBJECTIVES IN THE STUDY OF ORAL READING | 18 |
V INTERPRETATION OF ATTITUDE | 69 |
Derechos de autor | |
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Reading Aloud: A Technique in the Interpretation of Literature Wayland Maxfield Parrish Vista de fragmentos - 1941 |
Términos y frases comunes
accent actor aloud artist attitude beauty better bird breath captain's gig chapter comic consonant Coryphodon dark diaphragm diphthong dreams emotion Eohippus expression eyes feel give GORGO hath hear hearers heart heaven Hiram Corson Homer imagination imitation interpretation John Keats language light literature live look meaning method metre mind Miniver Miniver Cheevy mood muscles nature never Note oral reading passage pattern pause Percy Bysshe Shelley person phrase poem poet poet's poetry practice PRAXINOA preter pronounced pronunciation prose Quintilian reader resonance rhapsode rhythm rime Robert Browning Ruddigore selection sentence silent sing sleep Socrates soul sound speak speech spirit suggestion sure sweet syllables teacher thee things thou thought tion tone tongue understand UNIVERSITY OF CALIFORNIA utterance verse voice voiceless vowel William Shakespeare William Wordsworth words