Reading Aloud: Technique in the Interpretation of LiteratureT. Nelson and sons, 1932 - 401 páginas |
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Página 33
... reader or speaker can do with an untrained voice what his mind wills , or his feelings impel him , to do . Not one in a thousand can . 2. That all principles of Elocution which may be taught will continue in the consciousness of the reader ...
... reader or speaker can do with an untrained voice what his mind wills , or his feelings impel him , to do . Not one in a thousand can . 2. That all principles of Elocution which may be taught will continue in the consciousness of the reader ...
Página 53
... reader feels that his audience will begin to wonder whether he has not broken down . To deliberate in the presence ... reader a chance to look ahead and get a grip on the next thought , while it gives the hearer time to digest what has ...
... reader feels that his audience will begin to wonder whether he has not broken down . To deliberate in the presence ... reader a chance to look ahead and get a grip on the next thought , while it gives the hearer time to digest what has ...
Página 78
... text , or was the reader guilty of emotional drifting ? 17. Did the reader reveal a grasp of the structure of the whole selection , or did he read it piecemeal ? Drill Selection THE RIGHTS OF THE POOR 1. In all 78 READING ALOUD.
... text , or was the reader guilty of emotional drifting ? 17. Did the reader reveal a grasp of the structure of the whole selection , or did he read it piecemeal ? Drill Selection THE RIGHTS OF THE POOR 1. In all 78 READING ALOUD.
Contenido
CHAPTER PAGE | 11 |
OBJECTIVES IN THE STUDY OF ORAL READING | 18 |
V INTERPRETATION OF ATTITUDE | 69 |
Derechos de autor | |
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Reading Aloud: A Technique in the Interpretation of Literature Wayland Maxfield Parrish Vista de fragmentos - 1941 |
Términos y frases comunes
accent actor aloud artist attitude beauty better bird breath captain's gig chapter comic consonant Coryphodon dark diaphragm diphthong dreams emotion Eohippus expression eyes feel give GORGO hath hear hearers heart heaven Hiram Corson Homer imagination imitation interpretation John Keats language light literature live look meaning method metre mind Miniver Miniver Cheevy mood muscles nature never Note oral reading passage pattern pause Percy Bysshe Shelley person phrase poem poet poet's poetry practice PRAXINOA preter pronounced pronunciation prose Quintilian reader resonance rhapsode rhythm rime Robert Browning Ruddigore selection sentence silent sing sleep Socrates soul sound speak speech spirit suggestion sure sweet syllables teacher thee things thou thought tion tone tongue understand UNIVERSITY OF CALIFORNIA utterance verse voice voiceless vowel William Shakespeare William Wordsworth words