Reading Aloud: Technique in the Interpretation of LiteratureT. Nelson and sons, 1932 - 401 páginas |
Dentro del libro
Resultados 1-3 de 83
Página 206
... poetry . We shall need an exquisite sensitiveness to the meanings of words , an alert re- sponsiveness to mood , and a thorough understanding of group structure ... POETRY THE IMAGINATIVE QUALITY IN POETRY. 206 THE EMOTIONAL QUALITY IN ...
... poetry . We shall need an exquisite sensitiveness to the meanings of words , an alert re- sponsiveness to mood , and a thorough understanding of group structure ... POETRY THE IMAGINATIVE QUALITY IN POETRY. 206 THE EMOTIONAL QUALITY IN ...
Página 214
... poetry should be conversational . Surely no sensible person who is acquainted with the nature and the history of poetry would say that it should sound like ordinary talk . The expression of logical content in poetry as in prose is based ...
... poetry should be conversational . Surely no sensible person who is acquainted with the nature and the history of poetry would say that it should sound like ordinary talk . The expression of logical content in poetry as in prose is based ...
Página 215
... poetry . In this case what is called for is a profound brooding melancholy . In poetry of this general type , and that means nearly all poetry except that of vig- orous movement or sprightly gayety , there are two leading require- ments ...
... poetry . In this case what is called for is a profound brooding melancholy . In poetry of this general type , and that means nearly all poetry except that of vig- orous movement or sprightly gayety , there are two leading require- ments ...
Contenido
CHAPTER PAGE | 11 |
OBJECTIVES IN THE STUDY OF ORAL READING | 18 |
V INTERPRETATION OF ATTITUDE | 69 |
Derechos de autor | |
Otras 10 secciones no mostradas
Otras ediciones - Ver todas
Reading Aloud: A Technique in the Interpretation of Literature Wayland Maxfield Parrish Vista de fragmentos - 1941 |
Términos y frases comunes
accent actor aloud artist attitude beauty better bird breath captain's gig chapter comic consonant Coryphodon dark diaphragm diphthong dreams emotion Eohippus expression eyes feel give GORGO hath hear hearers heart heaven Hiram Corson Homer imagination imitation interpretation John Keats language light literature live look meaning method metre mind Miniver Miniver Cheevy mood muscles nature never Note oral reading passage pattern pause Percy Bysshe Shelley person phrase poem poet poet's poetry practice PRAXINOA preter pronounced pronunciation prose Quintilian reader resonance rhapsode rhythm rime Robert Browning Ruddigore selection sentence silent sing sleep Socrates soul sound speak speech spirit suggestion sure sweet syllables teacher thee things thou thought tion tone tongue understand UNIVERSITY OF CALIFORNIA utterance verse voice voiceless vowel William Shakespeare William Wordsworth words