Reading Aloud: Technique in the Interpretation of LiteratureT. Nelson and sons, 1932 - 401 páginas |
Dentro del libro
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Página 59
... person ; but if you read ten pages of a good book , letter by letter , that is to say , with real accuracy , you are for evermore in some measure an educated person . 3. The entire difference between education and non - education ( as ...
... person ; but if you read ten pages of a good book , letter by letter , that is to say , with real accuracy , you are for evermore in some measure an educated person . 3. The entire difference between education and non - education ( as ...
Página 316
... person . You will notice also that this person does not seem to be sitting at a desk composing a poem , but that he is engaged in some other activity , is perhaps mastered by some strange passion , and talking to a second person , who ...
... person . You will notice also that this person does not seem to be sitting at a desk composing a poem , but that he is engaged in some other activity , is perhaps mastered by some strange passion , and talking to a second person , who ...
Página 331
... person as outlined by your author . First , note carefully every suggestion of character , emotion , and action furnished by the text . Note the person's present situation . Create as far as you can his past history . 66. Write out in ...
... person as outlined by your author . First , note carefully every suggestion of character , emotion , and action furnished by the text . Note the person's present situation . Create as far as you can his past history . 66. Write out in ...
Contenido
CHAPTER PAGE | 11 |
OBJECTIVES IN THE STUDY OF ORAL READING | 18 |
V INTERPRETATION OF ATTITUDE | 69 |
Derechos de autor | |
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Reading Aloud: A Technique in the Interpretation of Literature Wayland Maxfield Parrish Vista de fragmentos - 1941 |
Términos y frases comunes
accent actor aloud artist attitude beauty better bird breath captain's gig chapter comic consonant Coryphodon dark diaphragm diphthong dreams emotion Eohippus expression eyes feel give GORGO hath hear hearers heart heaven Hiram Corson Homer imagination imitation interpretation John Keats language light literature live look meaning method metre mind Miniver Miniver Cheevy mood muscles nature never Note oral reading passage pattern pause Percy Bysshe Shelley person phrase poem poet poet's poetry practice PRAXINOA preter pronounced pronunciation prose Quintilian reader resonance rhapsode rhythm rime Robert Browning Ruddigore selection sentence silent sing sleep Socrates soul sound speak speech spirit suggestion sure sweet syllables teacher thee things thou thought tion tone tongue understand UNIVERSITY OF CALIFORNIA utterance verse voice voiceless vowel William Shakespeare William Wordsworth words