Reading Aloud: Technique in the Interpretation of LiteratureT. Nelson and sons, 1932 - 401 páginas |
Dentro del libro
Resultados 1-3 de 35
Página 235
... passages for the first time ! But , familiar to us from childhood , they pass over us without making the slightest ... passage is understood , bring back the emotional sig- nificance by putting it again in its setting of verse and ...
... passages for the first time ! But , familiar to us from childhood , they pass over us without making the slightest ... passage is understood , bring back the emotional sig- nificance by putting it again in its setting of verse and ...
Página 305
... passage must be broken , of course , by rests , and by accelerations and retarda- tions , but the strong pulsing beat should never be completely lost until it finally resolves itself into the metric run which closes the paragraph ...
... passage must be broken , of course , by rests , and by accelerations and retarda- tions , but the strong pulsing beat should never be completely lost until it finally resolves itself into the metric run which closes the paragraph ...
Página 378
... passages , particularly in the Odyssee ; as , for example , the passage in which Theoclymenus the prophet of the house of Melampus says to the suitors : - " Wretched men ! what is happening to you ? Your heads and your faces and your ...
... passages , particularly in the Odyssee ; as , for example , the passage in which Theoclymenus the prophet of the house of Melampus says to the suitors : - " Wretched men ! what is happening to you ? Your heads and your faces and your ...
Contenido
CHAPTER PAGE | 11 |
OBJECTIVES IN THE STUDY OF ORAL READING | 18 |
V INTERPRETATION OF ATTITUDE | 69 |
Derechos de autor | |
Otras 10 secciones no mostradas
Otras ediciones - Ver todas
Reading Aloud: A Technique in the Interpretation of Literature Wayland Maxfield Parrish Vista de fragmentos - 1941 |
Términos y frases comunes
accent actor aloud artist attitude beauty better bird breath captain's gig chapter comic consonant Coryphodon dark diaphragm diphthong dreams emotion Eohippus expression eyes feel give GORGO hath hear hearers heart heaven Hiram Corson Homer imagination imitation interpretation John Keats language light literature live look meaning method metre mind Miniver Miniver Cheevy mood muscles nature never Note oral reading passage pattern pause Percy Bysshe Shelley person phrase poem poet poet's poetry practice PRAXINOA preter pronounced pronunciation prose Quintilian reader resonance rhapsode rhythm rime Robert Browning Ruddigore selection sentence silent sing sleep Socrates soul sound speak speech spirit suggestion sure sweet syllables teacher thee things thou thought tion tone tongue understand UNIVERSITY OF CALIFORNIA utterance verse voice voiceless vowel William Shakespeare William Wordsworth words