Reading Aloud: Technique in the Interpretation of LiteratureT. Nelson and sons, 1932 - 401 páginas |
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Página 29
... method and the mechanical method . A third method , which consists in having the pupil imitate the teacher , is indeed widely employed , but it is obviously too simple to be treated here . The Mechanical Method . This is the traditional ...
... method and the mechanical method . A third method , which consists in having the pupil imitate the teacher , is indeed widely employed , but it is obviously too simple to be treated here . The Mechanical Method . This is the traditional ...
Página 30
... method , for he adopted a set of marks for denoting the different pauses , em- phases , etc. Whately's Method . - On this practice of Sheridan , and on similar practices of other elocutionists , Whately offers a criticism so thorough ...
... method , for he adopted a set of marks for denoting the different pauses , em- phases , etc. Whately's Method . - On this practice of Sheridan , and on similar practices of other elocutionists , Whately offers a criticism so thorough ...
Página 385
... method be employed to secure vividness ? 4. Describe and illustrate " tone - copying " as a method of vivifying expression . 5. Explain how expression may be improved by physical action . 6. What psychological theories support this method ...
... method be employed to secure vividness ? 4. Describe and illustrate " tone - copying " as a method of vivifying expression . 5. Explain how expression may be improved by physical action . 6. What psychological theories support this method ...
Contenido
CHAPTER PAGE | 11 |
OBJECTIVES IN THE STUDY OF ORAL READING | 18 |
V INTERPRETATION OF ATTITUDE | 69 |
Derechos de autor | |
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Reading Aloud: A Technique in the Interpretation of Literature Wayland Maxfield Parrish Vista de fragmentos - 1941 |
Términos y frases comunes
accent actor aloud artist attitude beauty better bird breath captain's gig chapter comic consonant Coryphodon dark diaphragm diphthong dreams emotion Eohippus expression eyes feel give GORGO hath hear hearers heart heaven Hiram Corson Homer imagination imitation interpretation John Keats language light literature live look meaning method metre mind Miniver Miniver Cheevy mood muscles nature never Note oral reading passage pattern pause Percy Bysshe Shelley person phrase poem poet poet's poetry practice PRAXINOA preter pronounced pronunciation prose Quintilian reader resonance rhapsode rhythm rime Robert Browning Ruddigore selection sentence silent sing sleep Socrates soul sound speak speech spirit suggestion sure sweet syllables teacher thee things thou thought tion tone tongue understand UNIVERSITY OF CALIFORNIA utterance verse voice voiceless vowel William Shakespeare William Wordsworth words