Reading Aloud: Technique in the Interpretation of LiteratureT. Nelson and sons, 1932 - 401 páginas |
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Página 20
... learned something about his fish , enough to astonish himself , and satisfy his teacher . Agassiz's method was severe , but his pupil learned the all - impor- tant lesson of close application . One of the surest marks of mediocrity in ...
... learned something about his fish , enough to astonish himself , and satisfy his teacher . Agassiz's method was severe , but his pupil learned the all - impor- tant lesson of close application . One of the surest marks of mediocrity in ...
Página 35
... learned . It is learned from those with whom we grow up . It is " natural " for us to speak as we have become ac- customed to speak . Custom is indeed , as Whately says , a second nature , but we must not " be natural " in this sense ...
... learned . It is learned from those with whom we grow up . It is " natural " for us to speak as we have become ac- customed to speak . Custom is indeed , as Whately says , a second nature , but we must not " be natural " in this sense ...
Página 61
... learned to do it consistently ; and hence , it is fair to say , few have ever truly learned to read . The moral is , read slowly . Take ample time . Pause where the punctuation bids one pause ; note each and every comma ; wait a moment ...
... learned to do it consistently ; and hence , it is fair to say , few have ever truly learned to read . The moral is , read slowly . Take ample time . Pause where the punctuation bids one pause ; note each and every comma ; wait a moment ...
Contenido
CHAPTER PAGE | 11 |
OBJECTIVES IN THE STUDY OF ORAL READING | 18 |
V INTERPRETATION OF ATTITUDE | 69 |
Derechos de autor | |
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Reading Aloud: A Technique in the Interpretation of Literature Wayland Maxfield Parrish Vista de fragmentos - 1941 |
Términos y frases comunes
accent actor aloud artist attitude beauty better bird breath captain's gig chapter comic consonant Coryphodon dark diaphragm diphthong dreams emotion Eohippus expression eyes feel give GORGO hath hear hearers heart heaven Hiram Corson Homer imagination imitation interpretation John Keats language light literature live look meaning method metre mind Miniver Miniver Cheevy mood muscles nature never Note oral reading passage pattern pause Percy Bysshe Shelley person phrase poem poet poet's poetry practice PRAXINOA preter pronounced pronunciation prose Quintilian reader resonance rhapsode rhythm rime Robert Browning Ruddigore selection sentence silent sing sleep Socrates soul sound speak speech spirit suggestion sure sweet syllables teacher thee things thou thought tion tone tongue understand UNIVERSITY OF CALIFORNIA utterance verse voice voiceless vowel William Shakespeare William Wordsworth words