Reading Aloud: Technique in the Interpretation of LiteratureT. Nelson and sons, 1932 - 401 páginas |
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Página 90
... give it charm and interest . On the other hand , an expressive voice can give warmth and sparkle to the dullest matter . One spirited talker will enliven a whole roomful of people otherwise sluggish , and win for himself an applause ...
... give it charm and interest . On the other hand , an expressive voice can give warmth and sparkle to the dullest matter . One spirited talker will enliven a whole roomful of people otherwise sluggish , and win for himself an applause ...
Página 154
... give it this greater projection . Or we may say that firm abdominal “ support " of a tone gives it greater volume and firmer texture . Whatever the explanation , there can be no doubt that this abdominal support does improve vocal ...
... give it this greater projection . Or we may say that firm abdominal “ support " of a tone gives it greater volume and firmer texture . Whatever the explanation , there can be no doubt that this abdominal support does improve vocal ...
Página 388
... give to show that excitement is a cause and a characteristic of poetry ? 2. What losses result from separating the poet from his audience ? 3. Can they be retrieved by the public reading of poetry ? 4. What circumstances attending the ...
... give to show that excitement is a cause and a characteristic of poetry ? 2. What losses result from separating the poet from his audience ? 3. Can they be retrieved by the public reading of poetry ? 4. What circumstances attending the ...
Contenido
CHAPTER PAGE | 11 |
OBJECTIVES IN THE STUDY OF ORAL READING | 18 |
V INTERPRETATION OF ATTITUDE | 69 |
Derechos de autor | |
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Reading Aloud: A Technique in the Interpretation of Literature Wayland Maxfield Parrish Vista de fragmentos - 1941 |
Términos y frases comunes
accent actor aloud artist attitude beauty better bird breath captain's gig chapter comic consonant Coryphodon dark diaphragm diphthong dreams emotion Eohippus expression eyes feel give GORGO hath hear hearers heart heaven Hiram Corson Homer imagination imitation interpretation John Keats language light literature live look meaning method metre mind Miniver Miniver Cheevy mood muscles nature never Note oral reading passage pattern pause Percy Bysshe Shelley person phrase poem poet poet's poetry practice PRAXINOA preter pronounced pronunciation prose Quintilian reader resonance rhapsode rhythm rime Robert Browning Ruddigore selection sentence silent sing sleep Socrates soul sound speak speech spirit suggestion sure sweet syllables teacher thee things thou thought tion tone tongue understand UNIVERSITY OF CALIFORNIA utterance verse voice voiceless vowel William Shakespeare William Wordsworth words