Reading Aloud: Technique in the Interpretation of LiteratureT. Nelson and sons, 1932 - 401 páginas |
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Página 146
... feel toward Miniver Cheevy ? You should feel , of course , as the author feels , but you will find that he is curiously impersonal . Comb the story as you will , you will find not a single word that expresses his personal attitude ...
... feel toward Miniver Cheevy ? You should feel , of course , as the author feels , but you will find that he is curiously impersonal . Comb the story as you will , you will find not a single word that expresses his personal attitude ...
Página 165
... feel " of the tone . Let the jaw open wide , and the tongue drop , until the tone becomes " Italian a " as in arm . Then gradually close the mouth again without stopping the tone , trying not to make any change in placement . Repeat ...
... feel " of the tone . Let the jaw open wide , and the tongue drop , until the tone becomes " Italian a " as in arm . Then gradually close the mouth again without stopping the tone , trying not to make any change in placement . Repeat ...
Página 238
... feel the emotion of the poet . We ordinary mortals can seldom , if ever , feel as deeply as poets feel , for we must allow , on the testimony of Plato , Aris- totle , Shakespeare , and others of lesser note , that the poet has within ...
... feel the emotion of the poet . We ordinary mortals can seldom , if ever , feel as deeply as poets feel , for we must allow , on the testimony of Plato , Aris- totle , Shakespeare , and others of lesser note , that the poet has within ...
Contenido
CHAPTER PAGE | 11 |
OBJECTIVES IN THE STUDY OF ORAL READING | 18 |
V INTERPRETATION OF ATTITUDE | 69 |
Derechos de autor | |
Otras 10 secciones no mostradas
Otras ediciones - Ver todas
Reading Aloud: A Technique in the Interpretation of Literature Wayland Maxfield Parrish Vista de fragmentos - 1941 |
Términos y frases comunes
accent actor aloud artist attitude beauty better bird breath captain's gig chapter comic consonant Coryphodon dark diaphragm diphthong dreams emotion Eohippus expression eyes feel give GORGO hath hear hearers heart heaven Hiram Corson Homer imagination imitation interpretation John Keats language light literature live look meaning method metre mind Miniver Miniver Cheevy mood muscles nature never Note oral reading passage pattern pause Percy Bysshe Shelley person phrase poem poet poet's poetry practice PRAXINOA preter pronounced pronunciation prose Quintilian reader resonance rhapsode rhythm rime Robert Browning Ruddigore selection sentence silent sing sleep Socrates soul sound speak speech spirit suggestion sure sweet syllables teacher thee things thou thought tion tone tongue understand UNIVERSITY OF CALIFORNIA utterance verse voice voiceless vowel William Shakespeare William Wordsworth words