Reading Aloud: Technique in the Interpretation of LiteratureT. Nelson and sons, 1932 - 401 páginas |
Dentro del libro
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Página 90
... expression . So far we have considered in the main the means of acquiring correctness of expression . But it is obvious that expression which is merely correct may be quite colorless . In most reading situations , as in most ...
... expression . So far we have considered in the main the means of acquiring correctness of expression . But it is obvious that expression which is merely correct may be quite colorless . In most reading situations , as in most ...
Página 102
... expression better than any he can himself create . Even in college a teacher who is a good reader may , and perhaps ... expression to the unfamiliar words of your author . 21. Practice reading the selection while striding vigorously ...
... expression better than any he can himself create . Even in college a teacher who is a good reader may , and perhaps ... expression to the unfamiliar words of your author . 21. Practice reading the selection while striding vigorously ...
Página 385
... expression . 2. Why is vivid expression important ? 3. How may the natural method be employed to secure vividness ? 4. Describe and illustrate " tone - copying " as a method of vivifying expression . 5. Explain how expression may be ...
... expression . 2. Why is vivid expression important ? 3. How may the natural method be employed to secure vividness ? 4. Describe and illustrate " tone - copying " as a method of vivifying expression . 5. Explain how expression may be ...
Contenido
CHAPTER PAGE | 11 |
OBJECTIVES IN THE STUDY OF ORAL READING | 18 |
V INTERPRETATION OF ATTITUDE | 69 |
Derechos de autor | |
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Reading Aloud: A Technique in the Interpretation of Literature Wayland Maxfield Parrish Vista de fragmentos - 1941 |
Términos y frases comunes
accent actor aloud artist attitude beauty better bird breath captain's gig chapter comic consonant Coryphodon dark diaphragm diphthong dreams emotion Eohippus expression eyes feel give GORGO hath hear hearers heart heaven Hiram Corson Homer imagination imitation interpretation John Keats language light literature live look meaning method metre mind Miniver Miniver Cheevy mood muscles nature never Note oral reading passage pattern pause Percy Bysshe Shelley person phrase poem poet poet's poetry practice PRAXINOA preter pronounced pronunciation prose Quintilian reader resonance rhapsode rhythm rime Robert Browning Ruddigore selection sentence silent sing sleep Socrates soul sound speak speech spirit suggestion sure sweet syllables teacher thee things thou thought tion tone tongue understand UNIVERSITY OF CALIFORNIA utterance verse voice voiceless vowel William Shakespeare William Wordsworth words