Reading Aloud: Technique in the Interpretation of LiteratureT. Nelson and sons, 1932 - 401 páginas |
Dentro del libro
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Página 69
... correct perception of the writer's attitude will prompt a correct expression of it . It might be profitable to attempt to distinguish between atti- tudes dependent upon basic emotions , such as pity , rage , and fear , and attitudes ...
... correct perception of the writer's attitude will prompt a correct expression of it . It might be profitable to attempt to distinguish between atti- tudes dependent upon basic emotions , such as pity , rage , and fear , and attitudes ...
Página 72
... correct emotional attitude toward what one reads . A Vocabulary of Attitudes . - Students sometimes feel vaguely the correct attitude toward what they are reading , but are unable to clarify and intensify the mood because they lack a ...
... correct emotional attitude toward what one reads . A Vocabulary of Attitudes . - Students sometimes feel vaguely the correct attitude toward what they are reading , but are unable to clarify and intensify the mood because they lack a ...
Página 388
... correct pronunciation of a given sound ? 16. Discuss the pronunciation of consonant r . 17. Where should we seek for models of good English speech ? 18. How does New England pronunciation differ from Central or Western pronunciation ...
... correct pronunciation of a given sound ? 16. Discuss the pronunciation of consonant r . 17. Where should we seek for models of good English speech ? 18. How does New England pronunciation differ from Central or Western pronunciation ...
Contenido
CHAPTER PAGE | 11 |
OBJECTIVES IN THE STUDY OF ORAL READING | 18 |
V INTERPRETATION OF ATTITUDE | 69 |
Derechos de autor | |
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Reading Aloud: A Technique in the Interpretation of Literature Wayland Maxfield Parrish Vista de fragmentos - 1941 |
Términos y frases comunes
accent actor aloud artist attitude beauty better bird breath captain's gig chapter comic consonant Coryphodon dark diaphragm diphthong dreams emotion Eohippus expression eyes feel give GORGO hath hear hearers heart heaven Hiram Corson Homer imagination imitation interpretation John Keats language light literature live look meaning method metre mind Miniver Miniver Cheevy mood muscles nature never Note oral reading passage pattern pause Percy Bysshe Shelley person phrase poem poet poet's poetry practice PRAXINOA preter pronounced pronunciation prose Quintilian reader resonance rhapsode rhythm rime Robert Browning Ruddigore selection sentence silent sing sleep Socrates soul sound speak speech spirit suggestion sure sweet syllables teacher thee things thou thought tion tone tongue understand UNIVERSITY OF CALIFORNIA utterance verse voice voiceless vowel William Shakespeare William Wordsworth words