Reading Aloud: Technique in the Interpretation of LiteratureT. Nelson and sons, 1932 - 401 páginas |
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Página 57
... chapter to chapter ) . But we need to have some check upon our progress . We need criticism . And we need also to accumulate a body of criteria by which we can appraise reading or speaking wherever we hear them . Let us set down , then ...
... chapter to chapter ) . But we need to have some check upon our progress . We need criticism . And we need also to accumulate a body of criteria by which we can appraise reading or speaking wherever we hear them . Let us set down , then ...
Página 147
... Chapter V , and the other selection from this essay among the readings at the end of Chapter V. Or better , read , if it is available , the entire essay . See whether it does not define the appropriate mood for the reading of Miniver ...
... Chapter V , and the other selection from this essay among the readings at the end of Chapter V. Or better , read , if it is available , the entire essay . See whether it does not define the appropriate mood for the reading of Miniver ...
Página 190
... chapter , the prin- ciples of metrics as discussed in Chapter VII , the principles of logical expression and the requirements of intelligibility as dis- cussed in Chapter IV , and the requirements of deep feeling to be discussed in a ...
... chapter , the prin- ciples of metrics as discussed in Chapter VII , the principles of logical expression and the requirements of intelligibility as dis- cussed in Chapter IV , and the requirements of deep feeling to be discussed in a ...
Contenido
CHAPTER PAGE | 11 |
OBJECTIVES IN THE STUDY OF ORAL READING | 18 |
V INTERPRETATION OF ATTITUDE | 69 |
Derechos de autor | |
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Reading Aloud: A Technique in the Interpretation of Literature Wayland Maxfield Parrish Vista de fragmentos - 1941 |
Términos y frases comunes
accent actor aloud artist attitude beauty better bird breath captain's gig chapter comic consonant Coryphodon dark diaphragm diphthong dreams emotion Eohippus expression eyes feel give GORGO hath hear hearers heart heaven Hiram Corson Homer imagination imitation interpretation John Keats language light literature live look meaning method metre mind Miniver Miniver Cheevy mood muscles nature never Note oral reading passage pattern pause Percy Bysshe Shelley person phrase poem poet poet's poetry practice PRAXINOA preter pronounced pronunciation prose Quintilian reader resonance rhapsode rhythm rime Robert Browning Ruddigore selection sentence silent sing sleep Socrates soul sound speak speech spirit suggestion sure sweet syllables teacher thee things thou thought tion tone tongue understand UNIVERSITY OF CALIFORNIA utterance verse voice voiceless vowel William Shakespeare William Wordsworth words