Reading Aloud: Technique in the Interpretation of LiteratureT. Nelson and sons, 1932 - 401 páginas |
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Página 155
... breath control . Exercises for Breath Control I. The first task for the student who wishes seriously to improve his voice is to examine carefully his own breathing . Lie flat on your back on the floor . Place one hand on your chest ...
... breath control . Exercises for Breath Control I. The first task for the student who wishes seriously to improve his voice is to examine carefully his own breathing . Lie flat on your back on the floor . Place one hand on your chest ...
Página 156
... breath at the centre of the body and exhale slowly making the sound of " f " . The steadiness of the sound will indi- cate whether the diaphragm is relaxing steadily . VII . Take a deep breath and exhale with the sound of “ ah ” main ...
... breath at the centre of the body and exhale slowly making the sound of " f " . The steadiness of the sound will indi- cate whether the diaphragm is relaxing steadily . VII . Take a deep breath and exhale with the sound of “ ah ” main ...
Página 190
... breath - groups . The word is not a unit of spoken language . These breath - groups are often quite long . Most readers , for in- stance , would read with one unbroken flow of breath the line " Little we see in nature that is ours ...
... breath - groups . The word is not a unit of spoken language . These breath - groups are often quite long . Most readers , for in- stance , would read with one unbroken flow of breath the line " Little we see in nature that is ours ...
Contenido
CHAPTER PAGE | 11 |
OBJECTIVES IN THE STUDY OF ORAL READING | 18 |
V INTERPRETATION OF ATTITUDE | 69 |
Derechos de autor | |
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Reading Aloud: A Technique in the Interpretation of Literature Wayland Maxfield Parrish Vista de fragmentos - 1941 |
Términos y frases comunes
accent actor aloud artist attitude beauty better bird breath captain's gig chapter comic consonant Coryphodon dark diaphragm diphthong dreams emotion Eohippus expression eyes feel give GORGO hath hear hearers heart heaven Hiram Corson Homer imagination imitation interpretation John Keats language light literature live look meaning method metre mind Miniver Miniver Cheevy mood muscles nature never Note oral reading passage pattern pause Percy Bysshe Shelley person phrase poem poet poet's poetry practice PRAXINOA preter pronounced pronunciation prose Quintilian reader resonance rhapsode rhythm rime Robert Browning Ruddigore selection sentence silent sing sleep Socrates soul sound speak speech spirit suggestion sure sweet syllables teacher thee things thou thought tion tone tongue understand UNIVERSITY OF CALIFORNIA utterance verse voice voiceless vowel William Shakespeare William Wordsworth words