Reading Aloud: Technique in the Interpretation of LiteratureT. Nelson and sons, 1932 - 401 páginas |
Dentro del libro
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Página 234
... become too familiar with a poem Then our problem is to win back the thrill of the first reading The Bible contains much beautiful poetry , but to many persons brought up in the church it has become meaningless from much repetition ...
... become too familiar with a poem Then our problem is to win back the thrill of the first reading The Bible contains much beautiful poetry , but to many persons brought up in the church it has become meaningless from much repetition ...
Página 236
... become less and less suited for critical contemplation and philo- sophical calm . For the appreciation as well as for the creation of art there is needed , besides quiet and leisure , a constant and long- continued environment , a ...
... become less and less suited for critical contemplation and philo- sophical calm . For the appreciation as well as for the creation of art there is needed , besides quiet and leisure , a constant and long- continued environment , a ...
Página 301
... become as sounding brass , or a tinkling cymbal . 8 Charity never faileth ; but whether there be prophecies , they shall fail ; whether there be tongues , they shall cease ; whether there be knowledge , it shall vanish away . 12 For now ...
... become as sounding brass , or a tinkling cymbal . 8 Charity never faileth ; but whether there be prophecies , they shall fail ; whether there be tongues , they shall cease ; whether there be knowledge , it shall vanish away . 12 For now ...
Contenido
CHAPTER PAGE | 11 |
OBJECTIVES IN THE STUDY OF ORAL READING | 18 |
V INTERPRETATION OF ATTITUDE | 69 |
Derechos de autor | |
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Reading Aloud: A Technique in the Interpretation of Literature Wayland Maxfield Parrish Vista de fragmentos - 1941 |
Términos y frases comunes
accent actor aloud artist attitude beauty better bird breath captain's gig chapter comic consonant Coryphodon dark diaphragm diphthong dreams emotion Eohippus expression eyes feel give GORGO hath hear hearers heart heaven Hiram Corson Homer imagination imitation interpretation John Keats language light literature live look meaning method metre mind Miniver Miniver Cheevy mood muscles nature never Note oral reading passage pattern pause Percy Bysshe Shelley person phrase poem poet poet's poetry practice PRAXINOA preter pronounced pronunciation prose Quintilian reader resonance rhapsode rhythm rime Robert Browning Ruddigore selection sentence silent sing sleep Socrates soul sound speak speech spirit suggestion sure sweet syllables teacher thee things thou thought tion tone tongue understand UNIVERSITY OF CALIFORNIA utterance verse voice voiceless vowel William Shakespeare William Wordsworth words