Where, gleaming with the setting sun,
One burnish'd sheet of living gold,
Loch Katrine lay beneath him roll'd,
In all her length far winding lay,
With promontory, creek, and bay,
And islands that, empurpled bright,1
Floated amid the livelier light,
And mountains, that like giants stand,
To sentinel enchanted land.
High on the south, huge Benvenue
Down on the lake in masses threw
Crags, knolls, and mounds, confusedly hurl'd,
The fragments of an earlier world;
A wildering forest feather'd o'er
His ruin'd sides and summit hoar,
While on the north, through middle air,
Ben-an 2 heaved high his forehead bare.
From the steep promontory gazed
The stranger, raptured and amazed,
And, "What a scene were here," he cried,
For princely pomp, or churchman's pride !
On this bold brow, a lordly tower;
In that soft vale, a lady's bower;
On yonder meadow, far away,
The turrets of a cloister gray;
How blithely might the bugle horn
Chide, on the lake, the lingering morn!
How sweet, at eve, the lover's lute
Chime, when the groves were still and mute!
And, when the midnight moon should lave
Her forehead in the silver wave,
2" Little Mountain," east of Loch Katrine.
How solemn on the ear would come
The holy matins' 1 distant hum,
While the deep peal's commanding tone
Should wake, in yonder islet lone,
A sainted hermit from his cell,
To drop a bead 2 with every knell
And bugle, lute, and bell, and all,
Should each bewilder'd stranger call
To friendly feast, and lighted hall.
Blithe were it then to wander here!
Like that same hermit's, thin and spare,
The copse must give my evening fare;
my couch must be,
Some rustling oak my canopy.
Yet pass we that; the war and chase
Give little choice of resting place;
A summer night, in greenwood spent,
Were but to-morrow's merriment:
But hosts may in these wilds abound,
Such as are better miss'd than found;
To meet with Highland plunderers here
Were worse than loss of steed or deer.—
I am alone;
my bugle strain
May call some straggler of the train;
Or, fall the worst that may betide,
Ere now this falchion has been tried."
1 The first canonical hour of the day in the Catholic Church, beginning properly at midnight. Here referring to the striking of the hour by the 46 cloister" bell.
2 "Drop a bead," i.e., say a prayer. The rosary used by Catholics is a string of beads by which count may be kept of the prayers recited.
But scarce again his horn he wound,
When lo forth starting at the sound,
From underneath an aged oak,
That slanted from the islet rock,
A damsel guider of its way,
A little skiff shot to the bay,
That round the promontory steep
Led its deep line in graceful sweep,
Eddying, in almost viewless wave,
The weeping willow twig to lave,
And kiss, with whispering sound and slow,
The beach of pebbles bright as snow.
The boat had touch'd this silver strand,
Just as the Hunter left his stand,
And stood conceal'd amid the brake,
To view this Lady of the Lake.
The maiden paused, as if again
She thought to catch the distant strain.
With head upraised, and look intent,
And eye and ear attentive bent,
And locks flung back, and lips apart,
Like monument of Grecian art,
In listening mood, she seem'd to stand,
The guardian Naiad1 of the strand.
And ne'er did Grecian chisel trace
A Nymph, a Naiad, or a Grace,2
Of finer form, or lovelier face!
1 (Na'yăd.) In classic mythology, one of the lower female deities who presided over lakes, streams, and fountains, as the Nymphs presided over mountains, forests, and meadows.
2 The Graces were in classic mythology three lovely sisters who attended Apollo and Venus.
What though the sun, with ardent frown,
Had slightly tinged her cheek with brown,
The sportive toil, which, short and light,
Had dyed her glowing hue so bright,
Served too in hastier swell to show
Short glimpses of a breast of snow :
What though no rule of courtly grace
To measured mood had train'd her pace,
A foot more light, a step more true,
Ne'er from the heath flower dash'd the dew;
E'en the slight harebell raised its head,
Elastic from her airy tread:
What though upon her speech there hung
The accents of the mountain tongue,-
Those silver sounds, so soft, so dear,
The list'ner held his breath to hear!
A chieftain's daughter seem'd the maid;
Her satin snood,1 her silken plaid,2
Her golden brooch such birth betray'd.
And seldom was a snood amid
Such wild luxuriant ringlets hid,
Whose glossy black to shame might bring
The plumage of the raven's wing;
And seldom o'er a breast so fair
Mantled a plaid with modest care,
And never brooch the folds combined
Above a heart more good and kind.
1 A band used by Scottish maidens to bind the hair.
2 (Played.) Several yards' length of usually checkered woolen cloth called " tartan," which the Scottish Highlanders of both sexes wound about their bodies, and which formed a characteristic feature of their national
Her kindness and her worth to spy,
You need but gaze on Ellen's eye;
Not Katrine, in her mirror blue,
Gives back the shaggy banks more true,
Than every freeborn glance confess'd
The guileless movements of her breast;
Whether joy danced in her dark eye,
Or woe or pity claim'd a sigh,
Or filial love was glowing there,
Or meek devotion pour'd a prayer,
Or tale of injury call'd forth
The indignant spirit of the North.
One only passion unreveal'd,
With maiden pride the maid conceal'd,
Yet not less purely felt the flame;
Oh! need I tell that passion's name ?
Impatient of the silent horn,
Now on the gale her voice was borne: "Father!" she cried; the rocks around Loved to prolong the gentle sound. A while she paused, no answer came,'Malcolm, was thine the blast ?" the name Less resolutely utter'd fell,
The echoes could not catch the swell.
"A stranger I," the Huntsman said,
Advancing from the hazel shade.
The maid, alarm'd, with hasty oar,
Push'd her light shallop 1 from the shore,
And when a space was gain'd between,
Closer she drew her bosom's screen;
(So forth the startled swan would swing,
So turn to prune 2 his ruffled wing.)
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