official persons were entitled to bargain with their successors, either for a sum of money, which was usually a considerable one, or for an interest in the emoluments of the office during their life. My predecessor, whose services had been unusually meritorious, stipulated for the emoluments of his office during his life, while I should enjoy the survivorship, on the condition that I discharged the duties of the office in the mean time. Mr. Pitt, however, having died in the interval, his administration was dissolved, and was succeeded by that known by the name of the Fox and Grenville Ministry. My affair was so far completed, that my commission lay in the office subscribed by his Majesty; but, from hurry or mistake, the interest of my predecessor was not expressed in it, as had been usual in such cases. Although, therefore, it only required payment of the fees, I could not in honor take out the commission in the present state, since, in the event of my dying before him, the gentleman whom I succeeded must have lost the vested interest which he had stipulated to retain. I had the honor of an interview with Earl Spencer on the subject, and he, in the most handsome manner, gave directions that the commission should issue as originally intended; adding, that the matter having received the royal assent, he regarded only as a claim of justice what he would have willingly done as an act of favor. I never saw Mr. Fox on this, or on any other occasion, and never made any application to him, conceiving that in doing so I might have been supposed to express political opinions contrary to those which I had always professed. In his private capacity, there is no man to whom I would have been more proud to owe an obligation, had I been so distinguished. By this arrangement I obtained the survivorship of an office, the emoluments of which were fully adequate to my wishes; and as the law re- | specting the mode of providing for superannuated officers was, about five or six years after, altered from that which admitted the arrangement of assistant and successor, my colleague very handsomely took the opportunity of the alteration, to accept of the retiring annuity provided in such cases, and admitted me to the full benefit of the office. 1 See Life, vol. iii. p. 4. 2" Next view in state, proud prancing on his roan, The gibbet or the field prepared to grace; A mighty mixture of the great and base. And think'st thou, Scott! by vain conceit perchance, Thongh Murray with his Miller may combine But although the certainty of succeeding to a considerable income, at the time I obtained it, seemed to assure me of a quiet harbor in my old age, I did not escape my share of inconvenience from the contrary tides and currents by which we are so often encountered in our journey through life. Indeed, the publication of my next poetical attempt was prematurely accelerated, from one of those unpleasant accidents which can neither be foreseen nor avoided. I had formed the prudent resolution to endeavor to bestow a little more labor than I had yet done on my productions, and to be in no hurry again to announce myself as a candidate for literary fame. Accordingly, particular passages of a poem, which was finally called "Marmion," were labored with a good deal of care, by one by whom much care was seldom bestowed. Whether the work was worth the labor or not, I am no competent judge; but I may be permitted to say, that the period of its composition was a very happy one, in my life; so much so, that I remember with pleasure, at this moment, some of the spots in which particular passages were composed. It is probably owing to this, that the Introduction to the several Cantos assumed the form of familiar epistles to my intimate friends, in which I alluded, perhaps more than was necessary or graceful, to my domestic occupations and amusements-a loquacity which may be excused by those who remember, that I was still young, light-headed, and happy, and that "out of the abundance of the heart the mouth speaketh." The misfortunes of a near relation and friend, which happened at this time, led me to alter my prudent determination, which had been, to use great precaution in sending this poem into the world; and made it convenient at least, if not absolutely necessary, to hasten its publication. The publishers of “The Lay of the Last Minstrel," emboldened by the success of that poem, willingly offered a thousand pounds for "Marmion." The transaction being no secret, afforded Lord Byron, who was then at general war with all who blacked paper, an apology for including me in his satire, entitled "English Bards and Scotch Reviewers." I never could conceive how an arrangement between an author and his publishers, if satisfactory No! when the sons of song descend to trade, to the persons concerned, could afford matter of censure to any third party. I had taken no unusual or ungenerous means of enhancing the value of my merchandise-I had never higgled a moment about the bargain, but accepted at once what I considered the handsome offer of my publishers. These gentlemen, at least, were not of opinion that they had been taken advantage of in the transaction, which indeed was one of their own framing; on the contrary, the sale of the Poem was so far beyond their expectation, as to induce them to supply the Author's cellars with what is always an acceptable present to a young Scottish housekeeper, namely, a hogshead of excellent claret. The Poem was finished in too much haste, to allow me an opportunity of softening down, if not removing, some of its most prominent defects. The nature of Marmion's guilt, although similar instances were found, and might be quoted, as existing | in feudal times, was nevertheless not sufficiently peculiar to be indicative of the character of the period, forgery being the crime of a commercial, rather than a proud and warlike age. This gross defect ought to have been remedied or palliated. Yet I suffered the tree to lie as it had fallen. I remember my friend, Dr. Leyden, then in the East, wrote me a furious remonstrance on the subject. On first reading this satire, 1809, Scott says, "It is funny enough to see a whelp of a young Lord Byron abusing me, of whose circumstances he knows nothing, for endeavoring to scratch out a living with my pen. God help the bear, if having little else to eat, he must not even suck his own paws. I can assure the noble imp of fame it is not my fault that I was not born to a park and £5000 a year, as it is not his lordship's merit, although it may be his great good fortune, that he was not born to live by his literary talents or success.”—Life, vol. iii. p. 195.-See also Correspondence with Lord Byron, Ibid. pp. 395, 398. 1 "Marmion was first printed in a splendid quarto, price one guinea and a half. The 2000 copies of this edition were all disposed of in less than a month, when a second of 3000 copies, in 8vo., was sent to press. There followed a third and a fourth edition, each of 3000, in 1809; a fifth of 2000, early in 1810; and a sixth of 3000, in two volumes, crown 8vo., I have, nevertheless, always been of opinion, that corrections, however in themselves judicious, have a bad effect-after publication. An author is never so decidedly condemned as on his own confession, and may long find apologists and partisans, until he gives up his own cause. I was not, therefore, inclined to afford matter for censure out of my own admissions; and, by good fortune, the novelty of the subject, and, if I may say so, some force and vivacity of description were allowed to atone for many imperfections. Thus the second experiment on the public patience, generally the most perilous, for the public are then most apt to judge with rigor, what in the first instance they had received, perhaps, with imprudent generosity, -was in my case decidedly successful. I had the good fortune to pass this ordeal favorably, and the return of sales before me makes the copies amount to thirty-six thousand printed between 1808 and 1825, besides a considerable sale since that period.' I shall here pause upon the subject of “Marmion,” and, in a few prefatory words to "The Lady of the Lake," the last poem of mine which obtained eminent success, I will continue the task which I have imposed on myself respecting the origin of my productions. ABBOTSFORD, April, 1830. with twelve designs by Singleton, before the end of that year; a seventh of 4000, and an eighth of 5000 copies 8vo., in 1811; a ninth of 3000 in 1815; a tenth of 500 in 1820; an eleventh of 500, and a twelfth of 2000 copies, in foolscap, both in 1825. The legitimate sale in this country, therefore, down to the time of its being included in the first collective edition of his poetical works, amounted to 31,000; and the aggregate of that sale, down to the period at which I am writing (May, 1836), may be stated at 50,000 copies. I presume it is right for me to facilitate the task of future historians of our literature by preserving these details as often as I can. Such particulars respecting many of the great works even of the last century, are already sought for with vain regret; and I anticipate no day when the student of English civilization will pass without curiosity the contemporary reception of the Tale of Flodden Field."-LOCKHART, Life of Scott, vol. iii. p. 66. Marmion. TO THE RIGHT HONORABLE HENRY LORD MONTAGU,1 &c. &c. &c. THIS ROMANCE IS INSCRIBED BY THE AUTHOR. ADVERTISEMENT TO THE FIRST EDITION. It is hardly to be expected, that an Author whom the Public have honored with some degree of ap plause, should not be again a trespasser on their kindness. Yet the Author of MARMION must be supposed to feel some anxiety concerning its success, since he is sensible that he hazards, by this second intrusion, any reputation which his first Poem may have procured him. The present story turns upor, the private adventures of a fictitious character; but is called a Tale of Flodden Field, because the hero's fate is connected with that memorable defeat, and the causes which led to it. The design of the Author was, if possible, to apprize his readers, at the outset, of the date of his Story, and to prepare them for the manners of the Age in which it is laid. Any Historical Narrative, far more an attempt at Epic composition, exceeded his plan of a Romantic Tale; yet he may be permitted to hope, from the popularity of THE LAY OF THE LAST MINSTREL, that an attempt to paint the manners of the feudal times, upon a broader scale, and in the course of a more interesting story, will not be unacceptable to the Public. The Poem opens about the commencement of August, and concludes with the defeat of Flodden, 9th September, 1513. ASHESTIEL, 1808. Marmion. INTRODUCTION TO CANTO FIRST. ΤΟ WILLIAM STEWART ROSE, ESQ. NOVEMBER'S sky is chill and drear, 1 Lord Montagu was the second son of Henry Duke of Bucdeach, by the only daughter of John last Duke of Montagu. For the origin and progress of Scott's acquaintance with Mr. Rose, see Life, vols. ii. iii iv. vi. Part of Marmion An angry brook, it sweeps the glade, No longer Autumn's glowing red The wither'd sward and wintry sky, was composed at Mr. Rose's seat in the New Forest, Ibid. vol. iii. p. 10. MS." No longer now in glowing red The Ettericke-Forest hills are clad." And far beneath their summer hill, My imps, though hardy, bold, and wild, As best befits the mountain child, Feel the sad influence of the hour, And wail the daisy's vanished flower; Their summer gambols tell, and mourn, And anxious ask,-Will spring return, And birds and lambs again be gay, And blossoms clothe the hawthorn spray? Yes, prattlers, yes. The daisy's flower Again shall paint your summer bower; Agam the hawthorn shall supply The garlands you delight to tie; The iambs upon the lea shall bound, The wild birds carol to the round, And while you frolic light as they, Too short shall seem the summer day. To mute and to material things New life revolving summer brings;1 The genial call dead Nature hears, And in her glory reappears. But oh my country's wintry state What second spring shall renovate? What powerful call shall bid arise The buried warlike and the wise ;2 The mind that thought for Britain's weal, The hand that grasp'd the victor's steel? The vernal sun new life bestows Even on the meanest flower that blows; But vainly, vainly may he shine, Where glory weeps o'er NELSON's shrine; 1"The chance and change' of nature,-the vicissitudes which are observable in the moral as well as the physical part of the creation,-have given occasion to more exquisite poetry than any other general subject. The author had before made ample use of the sentiments suggested by these topics; yet he is not satisfied, but begins again with the same in his first introduction. The lines are certainly pleasing; but they fall, in our estimation, far below that beautiful simile of the Tweed which he has introduced into his former poem. The At, at, Tai padakaι of Moschus is, however, worked up again to some advantage in the following passage;- To mute,' &c."Monthly Rev., May, 1808. 2 MS.-"What call awakens from the dead 3 MS." Deep in each British bosom wrote, 4 Nelson. $ Copenhagen. MS-Tagg'd at subjection's cracking rein." And vainly pierce the solemn gloom, Nor mourn ye less his perish'd worth, And brought the freeman's arm, to aid the freeman's laws. MS. 8 This paragraph was interpolated on the blank page of the Had propp'd his country's tottering weight; As some Had propp'd our tottering state and throne, His strength had propp'd our tottering throne, The beacon light is quench'4 in smoke, The warder fallen, the column broke." Thy strength had propp'd the tottering throne: Now is the stately column broke, The beacon-light is quench'd in smoke, The trumpet's silver sound is still, The warder silent on the hill! Oh think, how to his latest day,' When Death, just hovering, claim'd his prey, With Palinure's unalter'd mood, Firm at his dangerous post he stood; Each call for needful rest repell'd, Nor yet suppress the generous sigh, Because his rival slumbers nigh; Nor be thy requiescat dumb, Lest it be said o'er Fox's tomb. For talents mourn, untimely lost, When best employ'd, and wanted most; Mourn genius high, and lore profound, And wit that loved to play, not wound; And all the reasoning powers divine, To penetrate, resolve, combine; And feelings keen, and fancy's glow,They sleep with him who sleeps below: And, if thou mourn'st they could not save From error him who owns this grave, 1 MS." Yet think how to his latest day." MS.-"But still upon the holy day." 3 In place of this couplet, and the ten lines which follow it, the original MS. of Marmion has only the following: "If genius high and judgment sound, "While Scott was correcting a second proof of the passage where Pitt and Fox are mentioned together, at Stanmore Priory, ia April, 1807, Lord Abercorn suggested that the compliment to the Whig statesman ought to be still further heightened, and several lines For talents mourn untimely lost, When best employed, and wanted most,' &c.were added accordingly. I have heard, indeed, that they came from the Marquis's own pen. Ballantyne, however, from some advertence, had put the sheet to press before the revise, as it as called, arrived in Edinburgh, and some few copies got abroad is which the additional couplets were omitted. A London Be every harsher thought suppress'd, As if some angel spoke agen, "All peace on earth, good-will to men;" If ever from an English heart, O, here let prejudice depart, "The first epistolary effusion, containing a threnody on Nelson, Pitt, and Fox, exhibits a remarkable failure. We are unwilling to quarrel with a poet on the score of politics; but the manner in which he has chosen to praise the last of these great men, is more likely, we conceive, to give offence to his admirers, than the most direct censure. The only deed for which he is praised is for having broken off the negotiation for peace; and for this act of firmness, it is added, Heaven rewarded him with a share in the honored grave of Pitt! It is then said that his errors should be forgotten, and that he died a Briton-a pretty plain insinuation that, in the author's opin ion, he did not live one; and just such an encomium as he himself pronounces over the grave of his villain hero, Marmion."-JEFFREY. MS. Theirs was no common courtier race." |