The Victorian Fol Sage: Comparative Readings on Carlyle, Emerson, Melville, and ConradBucknell University Press, 1989 - 132 páginas In considering the responses of Carlyle, Emerson, Melville, and Conrad to Montaigne and to one another, this work focuses on the fundamental contradiction between wisdom and art and demonstrates that this contradiction impels the writing of the Essais and generates the Victorian sage's antic speculations. |
Contenido
| 20 | |
Emersons Divine Comedy | 38 |
Melvilles Mute Glass | 59 |
Of Blindness in Conrads Spectacular Universe | 86 |
The Consolation of Folly | 98 |
Notes | 102 |
Select Bibliography | 120 |
| 129 | |
Otras ediciones - Ver todas
The Victorian Fol Sage: Comparative Readings on Carlyle, Emerson, Melville ... Camille R. La Bossière Vista de fragmentos - 1989 |
Términos y frases comunes
according affirms ambiguous artist Bible Billy Budd blind Bossière Calderón Carlyle and Emerson Carlyle's Charles-Augustin Sainte-Beuve circle comical confidence Confidence-Man contradiction contradictory conviction Critical Daiches Dédéyan Divine Comedy dream edition Emer Emersonian endless enigmatic Essais ethical eyes faith fiction figures folly fool Heart of Darkness heaven Hell Herman Melville Hero Holloway human Hume Ibid ignorance imagination Inferno infinite ironic Israel Potter John Joseph Conrad letter light logic London Mardi Melville's Michel de Montaigne mind mirror Moby-Dick Montaigne Montaigne's moral musical Narcissus obscurity Omoo opposite paradox Paris Pater Personal Record philosophy Pierre Plato poem poet Preface principle Prose Ralph Waldo Emerson reader reading reason reflection Renaissance sage's Sartor Resartus seer self-contradiction serpent silence skeptic Slater speak suggests suicide Tantalus teacher teaching Tether Teufelsdröckh things Timoleon tion translation truth University Press unknowing unreason Victorian Sage whale Whalley White-Jacket wisdom words writes York
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Página 16 - My task which I am trying to achieve is, by the power of the written word, to make you hear, to make you feel — it is, before all, to make you see! That — and no more: and it is everything!