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The charm more superficial that attends

Her works, as they present to Fancy's choice
Apt illustrations of the moral world,

Caught at a glance, or traced with curious pains.

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Finally, and above all, O Friend! (I speak
With due regret) how much is overlooked
In human nature and her subtle ways,
As studied first in our own hearts, and then
In life among the passions of mankind,
Varying their composition and their hue,
Where'er we move, under the diverse shapes
That individual character presents

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What was not understood, though known to be;

Among the mysteries of love and hate,

Honour and shame, looking to right and left,
Unchecked by innocence too delicate,

And moral notions too intolerant,

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Sympathies too contracted. Hence, when called
To take a station among men, the step
Was easier, the transition more secure,
More profitable also; for, the mind
Learns from such timely exercise to keep
In wholesome separation the two natures,
The one that feels, the other that observes.

Yet one word more of personal concern-
Since I withdrew unwillingly from France,
I led an undomestic wanderer's life,

In London chiefly harboured, whence I roamed,
Tarrying at will in many a pleasant spot

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Of rural England's cultivated vales
Or Cambrian solitudes.* A youth

(he bore

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The name of Calvert †-it shall live, if words
Of mine can give it life,) in firm belief
That by endowments not from me withheld
Good might be furthered-in his last decay
By a bequest sufficient for my needs
Enabled me to pause for choice, and walk
At large and unrestrained, nor damped too soon
By mortal cares.

Himself no Poet, yet

Far less a common follower of the world,

He deemed that my pursuits and labours lay
Apart from all that leads to wealth, or even
A necessary maintenance insures,
Without some hazard to the finer sense;
He cleared a passage for me, and the stream
Flowed in the bent of Nature.‡

Having now
Told what best merits mention, further pains
Our present purpose seems not to require,
And I have other tasks. Recall to mind
The mood in which this labour was begun,
O Friend! The termination of my course
Is nearer now, much nearer; yet even then,
In that distraction and intense desire,

I said unto the life which I had lived,
Where art thou? Hear I not a voice from thee

Which 'tis reproach to hear? Anon I rose
As if on wings, and saw beneath me stretched
Vast prospect of the world which I had been

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*After leaving London, he went to the Isle of Wight and to Salisbury Plain with Calvert; then to Bristol, the Valley of the Wye, and Tintern Abbey, alone on foot; thence to Jones' residence in North Wales at Plas-ynllan in Denbighshire; with him to other places in North Wales, thence to Halifax; and with his sister to Kendal, Grasmere, Keswick, Whitehaven, and Penrith.-ED.

Raisley Calvert.-ED.

His friend, dying in January 1795, bequeathed to Wordsworth a legacy of £900. Compare the sonnet, in vol. iv., beginning

Calvert! it must not be unheard by them, and the Life of Wordsworth in this edition.-ED.

And was; and hence this Song, which like a lark

I have protracted, in the unwearied heavens
Singing, and often with more plaintive voice

To earth attempered and her deep-drawn sighs, 385 Yet centring all in love, and in the end

All gratulant, if rightly understood.

Whether to me shall be allotted life,

And, with life, power to accomplish aught of worth,

That will be deemed no insufficient plea

For having given the story of myself,

Is all uncertain: but, beloved Friend!

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When, looking back, thou seest, in clearer view
Than any liveliest sight of yesterday,
That summer, under whose indulgent skies,
Upon smooth Quantock's airy ridge we roved
Unchecked, or loitered 'mid her sylvan combs,*
Thou in bewitching words, with happy heart,
Didst chaunt the vision of that Ancient Man,
The bright-eyed Mariner,* and rueful woes
Didst utter of the Lady Christabel ; *
And I, associate with such labour, steeped
In soft forgetfulness the livelong hours,

Murmuring of him who, joyous hap, was found,
After the perils of his moonlight ride,
Near the loud waterfall; * or her who sate

In misery near the miserable Thorn;

*

When thou dost to that summer turn thy thoughts, And hast before thee all which then we were,

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To thee, in memory of that happiness,

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It will be known, by thee at least, my Friend!
Felt, that the history of a Poet's mind

* The Wordsworths went to Alfoxden in the end of July, 1797. It was in the autumn of that year that, with Coleridge,

Upon smooth Quantock's airy ridge they roved
Unchecked, or loitered 'mid her sylvan combs;

when the latter chaunted his Ancient Mariner and Christabel, and Wordsworth composed The Idiot Boy and The Thorn. The plan of a joint publication was sketched out in November 1797. (See the Fenwick note to We are Seven, vol. i. p. 228.)-ED.

Is labour not unworthy of regard :
To thee the work shall justify itself.

The last and later portions of this gift

Have been prepared, not with the buoyant spirits
That were our daily portion when we first
Together wantoned in wild Poesy,

But, under pressure of a private grief,*

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Keen and enduring, which the mind and heart,
That in this meditative history

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Have been laid open, needs must make me feel
More deeply, yet enable me to bear
More firmly; and a comfort now hath risen

From hope that thou art near, and wilt be soon
Restored to us in renovated health;
When, after the first mingling of our tears,
'Mong other consolations, we may draw
Some pleasure from this offering of my love.

Oh! yet a few short years of useful life, And all will be complete, thy race be run,

Thy monument of glory will be raised;

Then, though (too weak to tread the ways of truth) This age fall back to old idolatry,

Though men return to servitude as fast

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As the tide ebbs, to ignominy and shame

By nations sink together, we shall still

Find solace knowing what we have learnt to know,

Rich in true happiness if allowed to be

Faithful alike in forwarding a day

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Of firmer trust, joint labourers in the work

(Should Providence such grace to us vouchsafe) Of their deliverance, surely yet to come.

Prophets of Nature, we to them will speak

A lasting inspiration, sanctified

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By reason, blest by faith: what we have loved,

*The death of his brother John. Compare the Elegiac Verses in memory of him, p. 58.-ED.

Others will love, and we will teach them how;
Instruct them how the mind of man becomes
A thousand times more beautiful than the earth
On which he dwells, above this frame of things
(Which, 'mid all revolution in the hopes
And fears of men, doth still remain unchanged)
In beauty exalted, as it is itself

Of quality and fabric more divine.

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FROM THE ITALIAN OF MICHAEL ANGELO

Translated 1805 ?—Published 1807

[Translations from Michael Angelo, done at the request of Mr. Duppa, whose acquaintance I made through Mr. Southey. Mr. Duppa was engaged in writing the life of Michael Angelo, and applied to Mr. Southey and myself to furnish some specimens of his poetic genius.—I. F.]

Compare the two sonnets entitled At Florence-from Michael Angelo, in the "Memorials of a Tour in Italy" in 1837.

The following extract from a letter of Wordsworth's to Sir George Beaumont, dated October 17, 1805, will cast light on the next three sonnets. "I mentioned Michael Angelo's poetry some time ago; it is the most difficult to construe I ever met with, but just what you would expect from such a man, shewing abundantly how conversant his soul was with great things. There is a mistake in the world concerning the Italian language; the poetry of Dante and Michael Angelo proves, that if there be little majesty and strength in Italian verse, the fault is in the authors, and not in the tongue. I can translate, and have translated two books of Ariosto, at the rate, nearly, of one hundred lines a day; but so much meaning has been put by Michael Angelo into so little room, and that meaning sometimes so excellent in itself, that I found the difficulty of translating him insurmountable. I attempted, at least, fifteen of the sonnets, but could not anywhere succeed.

I have sent

you the only one I was able to finish; it is far from being the best, or most characteristic, but the others were too much for me."

The last of the three sonnets probably belongs to the

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