 | Thomas West - 1789 - 336 páginas
...the fituation high enough to look do-wn upon all the objefts : a circumftance of great importance, which painting cannot imitate. In landfcapes you are either on a level with the objefts, or look up to them; the painter cannot give the declivity at your feet, which leflens the... | |
 | George Alexander Cooke - 1802 - 316 páginas
...all the objects—a circumstance of great importance, which painting catinot imitate. In landscapes, you are either on a level with the objects, or look up to them ; the painter caunot give the declivity at your feet, which lessens the object as much in the perpendicular line... | |
 | Thomas West - 1812 - 336 páginas
...and the fituation high enough to look down upon all the objects ; a circumftance of great importance, which painting cannot imitate. In landfcapes, you...painter cannot give the declivity at your feet, which lefiens the object as much in the perpendicula'r line, as in the horizontal one. You look down upon... | |
 | William Green (of Ambleside.) - 1819 - 524 páginas
...all the objects : a circumstance of great importance, which painting cannot imitate. In landscapes you are either on a level with the objects, or look...painter cannot give the declivity at your feet, which lessens the object as much in the perpendicular line, as in the horizontal one. You look down upon... | |
 | Thomas West - 1821 - 346 páginas
...all the objects ; a circumstance of great importance, which painting cannot imitate. In landscapes, you are either on a level with the objects, or look...painter cannot give the declivity at your feet, which lessens the object as much in the perpendicular line, as in the horizontal one. You look down upon... | |
 | Samuel Leigh (publisher.) - 1830 - 172 páginas
...all the objects ; a circumstance of great importance, which painting cannot imitate. In landscapes, you are either on a level with the objects, or look...painter cannot give the declivity at your feet, which lessens the object as much in the perpendicular line as in the horizontal one. You look down upon a... | |
 | Henry Tudor - 1848 - 468 páginas
...all the objects; a circumstance of great importance, which painting cannot imitate. In landscapes, you are either on a level with the objects, or look...painter cannot give the declivity at your feet, which lessens the object as much in the perpendicular line as in the horizontal one. You look down upon a... | |
 | Thomas Pfau - 1997 - 478 páginas
...objects: A circumstance of great importance, which painting cannot imitate. In [painted] landscapes you are either on a level with the objects, or look...painter cannot give the declivity at your feet, which lessens the object as much in the perpendicular line, as in the horizontal one. (67). Leaving aside,... | |
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In landscapes you are either on a level with the objects, or look up to them ; the painter cannot give the declivity at your feet, which lessens the object as much in the perpendicular line, as in the horizontal one. You look down upon a noble winding... 