The Poetics of Aristotle: Its Meaning and Influence, Volumen6Marshall Jones Company, 1923 - 157 páginas |
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Página 6
... origin . But the Poetics is the only technical discussion of its subject that has come down to us from ancient Greece . For the study of Greek art , including poetic art , it is , after the masterpieces themselves , the most valuable ...
... origin . But the Poetics is the only technical discussion of its subject that has come down to us from ancient Greece . For the study of Greek art , including poetic art , it is , after the masterpieces themselves , the most valuable ...
Página 21
... origin of comedy . Did it begin in Dorian Megara or Dorian Syracuse ? It did not originate in Athens , so ran the argument , for Epicharmus , who came from Syracuse , preceded the earliest comic poets of Attica . Aristotle is but mod ...
... origin of comedy . Did it begin in Dorian Megara or Dorian Syracuse ? It did not originate in Athens , so ran the argument , for Epicharmus , who came from Syracuse , preceded the earliest comic poets of Attica . Aristotle is but mod ...
Página 22
... origins of art . Poetry , art in general , results from native tendencies in mankind . Of the human qualities that must originally have produced art , the first is the impulse to imitate , a habit pervading the animate world , but most ...
... origins of art . Poetry , art in general , results from native tendencies in mankind . Of the human qualities that must originally have produced art , the first is the impulse to imitate , a habit pervading the animate world , but most ...
Página 25
... origin and progress of the drama , in a measure relying on previous authorities . Both tragedy and comedy originated in improvisations . Tragedy goes back to the improvising leader of the dithyrambic satyr- chorus , in the Bacchic ...
... origin and progress of the drama , in a measure relying on previous authorities . Both tragedy and comedy originated in improvisations . Tragedy goes back to the improvising leader of the dithyrambic satyr- chorus , in the Bacchic ...
Página 134
... origins , is nearer than the formalists to Aristotle and the spirit of Greek tragedy . His friend Ben Jon- son , translator of the Ars Poetica of Horace , is in tragedy far more like Seneca . Jonson hardly assimilated much from the ...
... origins , is nearer than the formalists to Aristotle and the spirit of Greek tragedy . His friend Ben Jon- son , translator of the Ars Poetica of Horace , is in tragedy far more like Seneca . Jonson hardly assimilated much from the ...
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action Æschylus agents Arabic Aris Aristophanes Aristotelian Aristotle Aristotle's Poetics aroused Art of Poetry Athens Averroes beautiful Ben Jonson Castelvetro catharsis century character chorus classical comic commentaries Corneille dialogue diction discovery drama dramatist Edipus edition effect elements emotions epic poem epic poetry Eschylus essay Euripides German Greek tragedy habit of choice Heinsius hero Homer Horace Horatian Iliad incidents Italian Italian criticism Italy JOHN Jonson Joseph language Latin learning less literary criticism manuscript mediæval metre metrical Milton modern Molière moral nature notes Odyssey Oxford Paris perhaps person philosopher pity and fear Plato play pleasure plot Poesy poet poetic art Poetics of Aristotle probable prose regarding Renaissance represent reversal Rhetoric rhythm Robortelli Roman Rome Samson Agonistes says Scaliger scholars Seneca Senecan tragedy sequence Shakespeare Socrates Sophocles sort spectacle story theory things thought tion totle Tractatus Coislinianus tragic poets translation unity University verse Virgil word Wordsworth write
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Página 135 - ... to be an interpreter and relater of the best and sagest things among mine own citizens throughout this island in the mother dialect, that what the greatest and choicest wits of Athens, Rome, or modern Italy, and those Hebrews of old did for their country, I, in my proportion, with this over and above, of being a christian, might do for mine...
Página 135 - ... that sublime art, which, in Aristotle's Poetics, in Horace, and the Italian commentaries of Castelvetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic, what of a lyric, what decorum is, which is the grand masterpiece to observe.
Página 137 - This is mentioned to vindicate tragedy from the small esteem, or rather infamy, which in the account of many it undergoes at this day with other common interludes...
Página 143 - Aristotle, I have been told, has said, that Poetry is the most philosophic of all writing: it is so : its object is truth, not individual and local, but general, and operative...
Página 92 - Trage'die is to seyn a certeyn storie, As olde bookes maken us memorie, Of hym that stood in greet prosperitee, And is y-fallen out of heigh degree Into myserie, and endeth wrecchedly...
Página 136 - Tragedy, as it was antiently compos'd, hath been ever held the gravest, moralest, and most profitable of all other Poems : therefore said by Aristotle to be of power by raising pity and fear, or terror, to purge the mind of those and such like passions, that is to temper and reduce them to just measure with a kind of delight, stirr'd up by reading or seeing those passions well imitated.
Página 67 - Come now, therefore, and let us slay him, and cast him into some pit, and we will say some evil beast hath devoured him, and we shall see what will become of his dreams.
Página 136 - Nor is nature wanting in her own effects to make good his assertion ; for so in physic, things of melancholic hue and quality are used against melancholy, sour against sour, salt to remove salt humours.
Página 138 - The circumscription of time wherein the whole drama begins and ends, is according to ancient rule, and best example, within the space of twenty-four hours.
Página 135 - Job a brief model : or whether the rules of Aristotle herein are strictly to be kept, or nature to be followed, which in them that know art, and use judgment, is no transgression, but an enriching of art...