The Poetics of Aristotle: Its Meaning and Influence, Volumen6Marshall Jones Company, 1923 - 157 páginas |
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Página 16
... construction are treated in detail . In the third section we turn to epic poetry and the principles of its construction- what it has in common with tragedy , and wherein the two differ . The fourth section deals with problems in ...
... construction are treated in detail . In the third section we turn to epic poetry and the principles of its construction- what it has in common with tragedy , and wherein the two differ . The fourth section deals with problems in ...
Página 29
... construction for tragedy , begins with a famous definition . Tragedy is defined in terms ( 1 ) of the object imitated - men in action ; ( 2 ) of the medium of imitation - embellished language ; ( 3 ) of the manner of imitation - direct ...
... construction for tragedy , begins with a famous definition . Tragedy is defined in terms ( 1 ) of the object imitated - men in action ; ( 2 ) of the medium of imitation - embellished language ; ( 3 ) of the manner of imitation - direct ...
Página 38
... construction of plots . Mastery of plot , then , is the sign of the dramatic artist ; the plot is the first principle , and , as it were , the very soul of tragedy . The tragic action is like design in painting : the most beautiful ...
... construction of plots . Mastery of plot , then , is the sign of the dramatic artist ; the plot is the first principle , and , as it were , the very soul of tragedy . The tragic action is like design in painting : the most beautiful ...
Página 56
... construction of speeches . Finally we come to diction . In this treatise on poetry , where it properly belongs , is the earliest extant grammar , with the science of the parts of speech . Beginning with the sim- plest sounds ( or ...
... construction of speeches . Finally we come to diction . In this treatise on poetry , where it properly belongs , is the earliest extant grammar , with the science of the parts of speech . Beginning with the sim- plest sounds ( or ...
Página 87
... construction from the Alexandrian commentators to the extent that Milton later did from those of Italy . With Horace the case is different . The Ars Poetica is obviously related to the treatise of Aristotle , and yet the relation is ...
... construction from the Alexandrian commentators to the extent that Milton later did from those of Italy . With Horace the case is different . The Ars Poetica is obviously related to the treatise of Aristotle , and yet the relation is ...
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Términos y frases comunes
action Æschylus agents Arabic Aris Aristophanes Aristotelian Aristotle Aristotle's Poetics aroused Art of Poetry Athens Averroes beautiful Ben Jonson Castelvetro catharsis century character chorus classical comic commentaries Corneille dialogue diction discovery drama dramatist Edipus edition effect elements emotions epic poem epic poetry Eschylus essay Euripides German Greek tragedy habit of choice Heinsius hero Homer Horace Horatian Iliad incidents Italian Italian criticism Italy JOHN Jonson Joseph language Latin learning less literary criticism manuscript mediæval metre metrical Milton modern Molière moral nature notes Odyssey Oxford Paris perhaps person philosopher pity and fear Plato play pleasure plot Poesy poet poetic art Poetics of Aristotle probable prose regarding Renaissance represent reversal Rhetoric rhythm Robortelli Roman Rome Samson Agonistes says Scaliger scholars Seneca Senecan tragedy sequence Shakespeare Socrates Sophocles sort spectacle story theory things thought tion totle Tractatus Coislinianus tragic poets translation unity University verse Virgil word Wordsworth write
Pasajes populares
Página 135 - ... to be an interpreter and relater of the best and sagest things among mine own citizens throughout this island in the mother dialect, that what the greatest and choicest wits of Athens, Rome, or modern Italy, and those Hebrews of old did for their country, I, in my proportion, with this over and above, of being a christian, might do for mine...
Página 135 - ... that sublime art, which, in Aristotle's Poetics, in Horace, and the Italian commentaries of Castelvetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic, what of a lyric, what decorum is, which is the grand masterpiece to observe.
Página 137 - This is mentioned to vindicate tragedy from the small esteem, or rather infamy, which in the account of many it undergoes at this day with other common interludes...
Página 143 - Aristotle, I have been told, has said, that Poetry is the most philosophic of all writing: it is so : its object is truth, not individual and local, but general, and operative...
Página 92 - Trage'die is to seyn a certeyn storie, As olde bookes maken us memorie, Of hym that stood in greet prosperitee, And is y-fallen out of heigh degree Into myserie, and endeth wrecchedly...
Página 136 - Tragedy, as it was antiently compos'd, hath been ever held the gravest, moralest, and most profitable of all other Poems : therefore said by Aristotle to be of power by raising pity and fear, or terror, to purge the mind of those and such like passions, that is to temper and reduce them to just measure with a kind of delight, stirr'd up by reading or seeing those passions well imitated.
Página 67 - Come now, therefore, and let us slay him, and cast him into some pit, and we will say some evil beast hath devoured him, and we shall see what will become of his dreams.
Página 136 - Nor is nature wanting in her own effects to make good his assertion ; for so in physic, things of melancholic hue and quality are used against melancholy, sour against sour, salt to remove salt humours.
Página 138 - The circumscription of time wherein the whole drama begins and ends, is according to ancient rule, and best example, within the space of twenty-four hours.
Página 135 - Job a brief model : or whether the rules of Aristotle herein are strictly to be kept, or nature to be followed, which in them that know art, and use judgment, is no transgression, but an enriching of art...