The broad high cliffs above us, As in their grandeur stationed there, Yon purple clouds are drooping And brightly through their waving folds The mountain's lofty crest; Yet fails their golden light to reach The silent river's breast. The eagle soars around us; His home is on the height, To which with eager, upward wing, The rough night blast high o'er us, And through the forests' tangled depths The massive timbers groan Onward! dim night is gathering; Their rocky barrier past at length, Yon light is beaming from our home, WORLDLY CARES. THE waves that on the sparkling sand Those billows in their ceaseless play, The summer winds, which wandering sigh Amid the forest bower, So gently, as they murmur by, Scarce lift the drooping flower; Yet bear they, in autumnal gloom, Thus worldly cares, though lightly borne, Their impress leave behind; And spirits, which their bonds would spurn, The blighting traces find; Till altered thoughts and hearts grown cold, The change of passing years unfold. IS THIS A DAY OF DEATH? Is this a day of death? The heavens look blithely on the laughing earth, And melody is springing; with the breath Hath sorrow's voice been heard With her low plaint, and broken wail of woe?— Forth from his leafy nest th' exulting bird Hath happiness departed From this glad scene? Is there a home-a hearth Sound not in concert with the broken-hearted! SARAH JOSEPHA HALE. Ir is no very easy matter to introduce one's own" Sketch," or decide on the relative merit of one's own performances. That I have written some things not unworthy a place in this collection, I certainly believe; nor could I see that there would be more presumption in thus including them among the poems of my sister authoresses, than in publishing mine in a separate volume. But whether to preface them or not, was the question. I flattered myself that those who were interested in my writings, might regret the omission of any notice of the writer: to speak of myself in the third person savored too much of affectation; still there is great discretion required in using the great I. -- Finally, I decided to confine my remarks chiefly to the influences which have made me what I am;- as thus, it appeared to me, my history might be of some benefit or consolation to those who are suffering similar sorrows, or struggling with similar difficulties; and such of my readers as are happily exempt from these, may find, in their "halcyon lot" the reason that their talents have never been directed to literary pursuits. Few females are educated for authorship; and as the obstacles which oppose the entrance of woman on the fields of literature are many and great, it requires, usually, a powerful pressure of outward circumstances to develop and mature her genius.—It may be truly said of her, that Strength is born In the deep silence of long suffering hearts, My family name was Buell, and my birth-place Newport, now a pretty village nestled among the " green hills" of New-Hampshire. My parents were originally from Saybrook, Connecticut, which they left soon after the close of the revolutionary war, carrying with them to the then wilderness of the North, that love of learning and those strict religious observances which distinguished the inhabitants of the "Charter State." But goo schools could not at once be established in the new settlements; and I owe my early predilection for literary pursuits to the teaching and example of my mother. She had enjoyed uncommon advantages of education for a female of her times-possessed a mind clear as rock-water, and a most happy talent of communicating knowledge. She had read many of the old black-letter chronicles and romances of the days of chivalry; and innumerable were the ballads, songs and stories with which she amused and instructed her children-for she always contrived to teach us some serious truth, while she charmed us by these legends. We did not need the "Infant School" to make us love learning. The books to which I had access were few, very few, in comparison with those given to children now-a-days; but they were such as required to be studied, and I did study them. Next to the Bible and Pilgrim's Progress, my earliest reading was Milton, Johnson, Pope, Cowper, and a part of Shakspeare-I did not obtain all his works, till some years after. The first regular novel I read, was The Mysteries of Udolpho," when I was about seven years of age. I name it on account of the influence it exercised over my mind. I had remarked, that of all the books I saw, |