You've Got to Have a Dream: The Message of the Musical

Portada
Westminster John Knox Press, 2005 M01 1 - 244 páginas

Arguing that the musical is the "most ubiquitous and dominant cultural icon of our day," scholar Ian Bradley unpacks the theological significance of the musical. Bradley believes that musicals provide for many people "an experience which can genuinely be described as religious as well as entertaining." In addition, he offers his thoughts on what the popularity of the musical might mean for the future of the church.

 

Páginas seleccionadas

Contenido

Acknowledgements
9
Introduction I
25
So ends my dream the theology of Gilbert and Sullivan
41
Til you find your dream the golden age of Broadway
62
To dream the impossible dream the rhythm of life
90
Any dream will do the biblical superstars of the 1970s
108
Now life has killed the dream I dreamed Les Misérables
145
Dreams dont die musicals of the last 25 years
169
Catching Gods dream the message for the Church
199
Notes
232
Sources and acknowledgements
241
Derechos de autor

Otras ediciones - Ver todas

Términos y frases comunes

Acerca del autor (2005)

Ian Bradley is Senior Lecturer in Practical Theology at the University of St. Andrews, Scotland.

Información bibliográfica