This short account of the Jewish Law would be incomplete if it were silent on an interesting feature of the society of Israel, the slave. Like all nations of antiquity, Israel had slaves. But the Law softened their lot. Amongst the slaves were Hebrews and foreigners. A man who was much in need could sell his young daughter as a slave. Sometimes the son of her master was obliged to marry her. The Hebrew incapable of paying the fine after a theft was obliged to deliver himself up to the man he had stolen from. When reduced to the last extremity, he could sell himself. These were the principal circumstances of slavery in Israel, but at the end of six years the slave became free, and left his master with a reward in the shape of lambs, kids, and goats. They also received presents of ground and of household linen. But if the slave at the eighth year said to his master, "I will not leave you," the master would take a bodkin or puncheon, and pierce the ear of the slave leaning against the door of his house: this was a sign of perpetual slavery.

Foreigners became slaves in Israel by selling themselves, or when they were prisoners of war. The Law was lenient towards them. They had the right to take part in the panegyrics and joys of Yahveh, to share the repast of the climes and the natural fruit of the Sabbatic years, and to rest on the Sabbath day. If their masters mutilated them, they were obliged to liberate them; freedom might be the result of a broken tooth. If the slave died from his master's ill-treatment, the master was terribly punished; how, is not clearly stated. A slave seems once to have enjoyed the office of steward; the management of the whole house was in his hands.

Except in regard to Yahveh, the Hebraic Law appears to have received beneficial influence from Egypt and Assyria; at every moment that beautiful chapter cxxv of The Book of the Dead seemed to be remembered, where the soul justifying itself before Osiris, after stating that the precepts of charity had been fulfilled, dares to add "I have not made tears flow."

HEBREW ART, ARCHITECTURE: THE TEMPLE, TOMBS, ETC.

During the last three centuries, many scholars have devoted themselves especially to the art of this nation that has played such an extraordinary rôle in the history of the world. These researches have been directed almost entirely upon the temple at Jerusalem and its furniture; for here, where the national life was concentrated, was in fact all the art that the country produced. Moreover, while the remains are no longer in our hands or under our eyes, there is not a single edifice in all oriental or classical antiquity concerning which we possess such numerous and circumstantial records.

The city of Jerusalem occupies to-day the northern extremity of a plateau which is bounded on the east by the valley of the Kidron, and on the south and west by the valley of Hinnom. This plateau is divided from north to south by a ravine called the valley of the Tyropoon ("the cheesemakers") in such a manner as to form two hills. The eastern hill is Mount Moriah, whose southern extremity, now called Ophel, was Zion, the "city of David."

When Solomon ascended the throne, Jerusalem occupied only Zion, and did not begin to extend to the western and larger hill until under the kings of Judea. Mount Moriah, on the north, was given up to husbandry, and a rich man of Jerusalem, Araunah, owned there a field with a threshing-floor, where camels and oxen trod out the grain at harvest-time. David had bought

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the field of Araunah as a site for the temple of the true God, and had erected an altar on the threshing-floor.

The

The work began in the fourth year of the reign of Solomon. materials had already been in great part fitted. Architects, workmen, and artists were engaged in Tyre by the aid of King Hiram, and the work progressed rapidly. The summit of Moriah was first levelled, and then around the remaining hillock was constructed an immense retaining wall of

extraordinary solidity, extending up to the level of the summit. It was built of enormous blocks held together by cramp-irons, and was supported on the outside by embankments. All the space between the interior face of this wall and the rock was filled in with rubble in such a way as to form a square platform.

Then followed the erection of the temple itself, and so rapidly was it pushed that the dedication feast was celebrated only seven years after the laying of the first stone of the substructure. The temple was to be enclosed by two courts, but Solomon completed only the first or inner one, and the east wall of the second or outer, which was not finished until long after the great king's death, in the reign of Manasseh.

The Bible gives us a detailed description of the magnificence of the interior of this sanctuary, built and decorated by Phoenician workmen, and of the objects of art accumulated there by the most ostentatious of Hebrew kings.

The architecture and the decorations of the interior were all in Egyptian style, like the temples of the Phoenicians themselves. But of the works of Solomon nothing has remained but the cisterns and the east wall of the outer court. This wall is ornamented with a gate under which Solomon had his throne placed when he assisted at public ceremonies; it was still called Solomon's gate, even after the time of Herod. Numerous enlargements and restorations were made under the kings of Judea; but in 586 B.C., when the Chaldeans took Jerusalem, the temple was totally destroyed.

Fifty-two years later, the captive Jews in Babylon having been delivered by Cyrus, their leader, Zerubbabel, undertook to rebuild the temple of the true God. Though similar in plan to that of Solomon, the new edifice was

less beautiful and of less majestic proportions; the old men who recalled the former one wept. This building stood for nearly five centuries, passing through the domination of the Seleucida and the Roman conquest of Pompey without being sacked or demolished.

Then Herod, the Idumæan, made king of the Jews by the Romans, conceived the idea of making himself popular with the people by rebuilding the temple in all the splendour of Solomon. The execution of his plan, which included enlargement,-Josephus says he doubled the original size,― required the complete demolition of the former structure and the rebuilding of the ancient terraces and the gates crowning them. The only portion of the old temple that he seems to have preserved was the eastern gate or gate of Solomon. The ancient plan, however, was apparently not departed from in the main.

The great outer court was surrounded on three sides by a double colonnade of Doric columns twenty-five cubits high. On the south side was a basilica, i.e. "a building with three unequal naves supported by columns." This enclosure was the Court of the Gentiles, and was open to all visitors. A barrier only three cubits high prevented the ungodly from entering the enclosure reserved for the Israelites, which comprised the Court of Women and the Court of Men, or of Israel. The Court of Women had at its four corners square halls serving for the supplies of the temple, for ablutions, or other pious exercises.

From this court three gates led through a group of buildings to the Court of Israel. The principal one of these gates, celebrated as the Nicanor Gate, had doors of Corinthian bronze, and was of beautiful architectural proportions and rich construction. The Court of Israel, which was reserved for men who had performed certain acts of purification, was eleven cubits wide. The halls surrounding it on three sides, which had façades furnished with porticoes, were appendages of the divine cult. Each was consecrated to a special service. Here the skins of victims were salted and washed; the musical instruments, the salt, the eternal fire, the wood were kept here; and here was the hall of the sanhedrim.

Finally came the Court of the Priests, in the middle of which were the temple proper and the altar of burnt offerings. The temple stood on a terrace six cubits high, so that there was thus a difference of level of eight and a half metres between the platform of the temple and the Court of the Gentiles. Its architectural features were essentially the same as those of Solomon's temple. This temple of the Jews was one of the most majestic works of architecture that antiquity produced. The succession of enclosed courts rising one above another and crowned by the gigantic white marble pylons of the sanctuary is a conception of genius that was realised only here, and all antiquity had but one voice in praise of its imposing grandeur.

The House of the Eternal was embellished with an unprecedented luxury. Costly woods, gold, silver, ivory, precious stones even nothing was spared by this people that was so jealous of its God. The accessories of the cult, moreover, sacred vessels, knives, basins, utensils of every kind, were works in which caster and engraver vied with one another in the display of their art.

But it must not be forgotten that the artists who decorated the ancient temple were Phoenicians; and as the Phoenicians always limited themselves to imitation of the Egyptians and the Assyrians, their technique has a hybrid character, which, like Syria itself from a geographical point of view, is a sort of compromise between Asia and Egypt.d

The race which had so little influence on the art of the world and so much upon its literature, religion, commerce, and destinies, has had the

strangest of all national fates. To the Christian it is as the escape of the soul from the corruption and death of the body. Newmane has thus closed his History of the Hebrew Monarchy, in words that may fitly serve as finis here:

"It is not intended here to pursue the later fortunes of the Jewish nation. We have seen its monarchy rise and fall. In its progress, the prophetical and the sacerdotal elements were developed side by side; the former flourished in its native soil for a brief period, but was transplanted over all the world, to impart a lasting glory to Jewish monotheism. The latter, while in union with and subservient to the free spirit of prophecy, had struck its roots into the national heart, and grown up as a constitutional pillar to the monarchy: but when unchecked by prophet or by king, and invested with the supreme temporal and spiritual control of the restored nation, it dwindled to a mere scrubby plant, whose fruit was dry and thorny learning, or apples of Sodom, which are as ashes in the mouth. Such was the unexpansive and literal materialism of the later rabbis, out of which has proceeded nearly all that is unamiable in the Jewish character: but the Roman writers who saw that side only of the nation, little knew how high a value the retrospect of the world's history would set on the agency of this scattered and despised people.

"For if Greece was born to teach art and philosophy, and Rome to diffuse the processes of law and government, surely Judea has been the wellspring of religious wisdom to a world besotted by frivolous or impure fancies. To these three nations it has been given to cultivate and develop principles characteristic of themselves: to the Greeks, Beauty and Science; to the Romans, Jurisprudence and Municipal Rule; but to the Jews, the Holiness of God and his Sympathy with his chosen servants. That this was the true calling of the nation, the prophets were inwardly conscious at an early period. They discerned that Jerusalem was as a centre of bright light to a dark world; and while groaning over the monstrous fictions which imposed on the nations under the name of religion, they announced that out of Zion should go forth the Law and the word of Jehovah. When they did not see, yet they believed, that the proud and despiteful heathen should at length gladly learn of their wisdom, and rejoice to honour them. In this faith the younger Isaiah closed his magnificent strains, addressing Jerusalem:

'Behold, darkness covereth the earth,

And thick mist the peoples;

But Jehovah riseth upon thee,
And his glory shall be seen on thee:
And the Gentiles shall come to thy light,
And kings to the brightness of thy rising.
The Gentiles shall see thy righteousness,
And all kings thy glory;

And thou shalt be called by a new name,

Which the mouth of Jehovah shall name.

Thou shalt be a garland of glory in the hand of Jehovah,

And a royal diadem in the hand of thy God.

Thou shalt no more be termed Forsaken,

Nor shall thy land any more be termed Desolate;

For Jehovah delighteth in thee,

And thy land shall be married to him.'”

CHAPTER XVI

THE PROPHETS AND THE HISTORY OF SEMITIC STYLE

WRITTEN SPECIALLY FOR THE PRESENT WORK

BY DR. D. H. MÜLLER

Professor in the University of Vienna; Member of the Imperial Academy of Sciences, etc.

THE Prophets prophesied in a far-off land, many, many hundred years ago. They prophesied to a small nation that dwelt in a small country and established a petty kingdom. The petty kingdom has been crushed under the iron heel of the world's advance, the nation scattered to every quarter under heaven; but the writings of the prophets remain; they have come down to us in the original text; they have been translated into every language and are read by every nation.

To this day the words of the prophets resound from every pulpit, in admonition and menace, for comfort and salvation. The substance of the prophetic discourses is sufficiently familiar, and these words spoken thousands of years ago do not fail of their effect to-day. From the depths of the heart they welled forth, divine inspiration was their source, they were addressed to men burdened with passions and frailties; and hence they have kept their power through centuries and tens of centuries.

We will not at present concern ourselves with the substance of the prophetic books nor with the development of prophecy; we will consider the form of the prophetic discourses. Men prized the substance so highly that they neglected to examine the form. Are they prose or poetry? Even this question has not been answered. A Greek oration is minutely analysed; we know the rules of rhetoric, and divide each oration into its component parts. A Greek or Latin poem is classed as drama, epic, lyric, etc., and its metre is studied and criticised. What rules govern the composition of the prophetic books?

MAIN CHARACTERISTICS OF STYLE

On the basis and in pursuance of my previous researches I advance the thesis that "the main characteristics of the style of the prophetic writings are strophic composition and responsion.' What a strophe is every one knows; nevertheless I will expressly state that by "strophe" I mean a group of lines or verses, standing in relation to other verses, and yet forming in and by themselves a compact whole.