Musical Time: The Sense of Order

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Pendragon Press, 1990 - 391 páginas
In order for musical structure to be understood and appreciated as coherent design, the raw material must be shaped and clarified by the listener's perceptual processes of selection and organization. Going beyond the boundaries of traditional analytic observation, Barbara Barry explores the concept of experiential time in a specifically musical and philosophic context, delving into the aspects of perceptual process (the interrelationship between subjective and objective perception of musical compositions and performance). A wealth of published experimental findings and writings on music theory and the philosophy of time are cited, accompanied by numerous musical examples, here brought together in a supporting interpretation and theoretical exemplification.
 

Contenido

Generic and Individual 13534 23
3
Complexity Level and Individual Taste
15
Systemic Structuring
31
Identity Transformation
43
how time passes Philosophic and
77
Fixed Rules and Flexible Strategies
235
Time as Motion and Time as Space
249
Musical Bibliography
353
Philosophical Psychological and Literary Bibliography
367
Index of People
383
Derechos de autor

Términos y frases comunes

Acerca del autor (1990)

Barbara Barry: Professor of Musicology at the Conservatory of Music at Lynn University. She has five degrees in music and two in piano performance from Trinity College of Music, London, and three in music history and theory from the University of London, including PhD awarded ""magna cum laude"". Prior coming to the United States, Barbara Barry was on the music faculty of the Music Department at University of London Goldsmiths College and Chair of Music History at the Guildhall School of Music and Drama, one of Europe's foremost conservatories in the Barbican Arts Center in London. She has been Chair of Music History at the Longy School of Music in Cambridge, MA, and taught at Clark University, New England Conservatory of Music, the Radcliffe Seminars and at Harvard University. A trained pianist in the Leschetizky tradition, Barbara Barry is the author of five books, as well as many articles on music history. She has been awarded two Fellowships by the National Endowment for the Humanities, the Fran Steinberg Memorial Prize for outstanding non-fiction, and was the first recipient of the Kathleen Cheek-Milby Endowed Faculty Fellowship at Lynn University. She is also a noted writer of young people's fantasy fiction with the books The Firestone and Mephisto's Revenge.

Información bibliográfica