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" Poetry puts a spirit of life and motion into the universe. It describes the flowing, not the fixed. It does not define the limits of sense, or analyze the distinctions of the understanding, but signifies the excess of the imagination beyond the actual... "
Western Characters - Página 32
por John Ludlum McConnel - 1853 - 378 páginas
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The Quarterly Review, Volumen19

William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, William Smith, Sir John Murray (IV), Rowland Edmund Prothero (Baron Ernle) - 1818 - 600 páginas
...limits of sense, or analyse the distinctions of the understanding, but signifies the excess of the imagination beyond the actual or ordinary impression of any object or feeling.' Poetry was at the beginning of the book asserted to be an impression ; it is now the excess of the...
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Lectures on the English Poets

William Hazlitt - 1818 - 354 páginas
...limits of sense, or analyze the distinctions of the understanding, but signifies the excess of the imagination beyond the actual / or ordinary impression of any object or feeling. The poetical impression of any object is that uneasy, exquisite sense of beauty or power that cannot...
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The Quarterly Review, Volumen19

1818 - 598 páginas
...limits of sense, or analyse the distinctions of the understanding, but signifies the excess of the imagination beyond the actual or ordinary impression of any object or feeling.' Poetry was at the beginning of the book asserted to be an impression ; it is now the excess of the...
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The London Quarterly Review, Volumen19

1819 - 630 páginas
...limits of sense, or analyse the distinctions of the understanding, but signifies the excess of the imagination beyond the actual or ordinary impression of any object or feeling.' Poetry was at the beginning of the book asserted to be an impression ; it is now the excess of the...
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Michael Angelo, considered as a philosophic poet, with translations

John Edward Taylor - 1840 - 182 páginas
...limits of sense, or analyse the distinctions of the understanding, but signifies the excess of the imagination beyond the actual or ordinary impression of any object or feeling. The poetical impression of any object is that uneasy, exquisite sense of beauty or power which cannot...
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Lectures on the English Comic Writers

William Hazlitt - 1845 - 510 páginas
...limits of sense, nor analyze the distinctions of the understanding, but signifies the excess of the imagination beyond the actual or ordinary impression of any object or feeling. The poetical impression of any object is that uneasy, exquisite sense of beauty or power that cannot...
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Western Characters: Or, Types of Border Life in the Western States

John Ludlum McConnel - 1853 - 414 páginas
...utility • and, by both, the merely fanciful <-;nd imaginative is undervalued. Thus, as Mr. Macaulay* ingeniously says, "A great poem, in a highly-polished...mythology, compared to that of the Greeks and Romans,! has been (by Lord Lindsay) attributed to this want — though, if such were its only effects, it might...
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Western Characters, Or, Types of Border Life in the Western States

John Ludlum McConnel - 1853 - 408 páginas
...expression or articulation ; and, in the half-civilized state, neither a refined public sentiment, Tior the other extreme of barbarous isolation, restrains...his mythology, compared to that of the Greeks and Romans,f has been (by Lord Lindsay) attributed to this want — though, jf such were its only effects,...
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Lectures on the English Poets and the English Comic Writers

William Hazlitt - 1876 - 474 páginas
...limits of sense, or analyse the distinctions of the understanding, but signifies the excess of the imagination beyond the actual or ordinary impression of any object or feeling. The poetical impression of any object is that uneasy, exquisite sense of beauty or power that cannot...
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The Spirit of the Age: Or, Contemporary Portraits

William Hazlitt - 1886 - 500 páginas
...limits of sense, nor analyse the distinctions of the understanding, but signifies the excess of the imagination beyond the actual or ordinary impression of any object or feeling.' Poetry was at the beginning of the book asserted to be an impression; it is now the excess of the imagination...
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