« AnteriorContinuar »
The Saints must govern, is their common cry;
And so they labour, deeming Holy Writ
Disgraced by aught that seems content to sit
Beneath the roof of settled Modesty.
The Romanist exults; fresh hope he draws
From the confusion, craftily incites
The overweening, personates the mad—
To heap disgust upon the worthier Cause:
Totters the Throne; the new-born Church is sad,
For every wave against her
FEAR hath a hundred eyes that all agree
To plague her beating heart; and there is one
(Nor idlest that!) which holds communion
With things that were not, yet were meant to be.
Aghast within its gloomy cavity
That eye (which sees as if fulfilled and done
Crimes that might stop the motion of the sun)
Beholds the horrible catastrophe
Of an assembled Senate unredeemed
From subterraneous Treason's darkling power:
Merciless act of sorrow infinite!
Worse than the product of that dismal night,
When gushing, copious as a thunder-shower,
The blood of Huguenots through Paris streamed.
THE JUNG-FRAU AND THE FALL OF THE RHINE NEAR SCHAFFHAUSEN.
THE Virgin Mountain*, wearing like a Queen
A brilliant crown of everlasting snow,
Sheds ruin from her sides; and men below
Wonder that aught of aspect so serene
Can link with desolation. Smooth and green,
And seeming, at a little distance, slow,
The waters of the Rhine; but on they go
Fretting and whitening, keener and more keen;
Till madness seizes on the whole wide Flood,
Turned to a fearful Thing whose nostrils breathe
Blasts of tempestuous smoke-wherewith he tries
To hide himself, but only magnifies;
And doth in more conspicuous torment writhe,
Deafening the region in his ireful mood.
TROUBLES OF CHARLES THE FIRST.
EVEN Such the contrast that, where'er we move,
To the mind's eye Religion doth present;
Now with her own deep quietness content;
Then, like the mountain, thundering from above
Against the ancient pine-trees of the grove
And the Land's humblest comforts. Now her mood
Recals the transformation of the flood,
Whose rage the gentle skies in vain reprove;
Earth cannot check. O terrible excess
Of headstrong will! Can this be Piety?
No-some fierce Maniac hath usurped her name;
And scourges England struggling to be free:
Her peace destroyed! her hopes a wilderness!
Her blessings cursed-her glory turned to shame!
PREJUDGED by foes determined not to spare,
An old weak Man for vengeance thrown aside,
Laud, 'in the painful art of dying' tried,
(Like a poor bird entangled in a snare
Whose heart still flutters, though his wings forbear
To stir in useless struggle) hath relied
On hope that conscious innocence supplied,
And in his prison breathes celestial air.
Why tarries then thy chariot? Wherefore stay,
O Death! the ensanguined yet triumphant wheels,
Which thou prepar'st, full often, to convey
(What time a State with madding faction reels)
The Saint or Patriot to the world that heals
All wounds, all perturbations doth allay?
HARP! could'st thou venture, on thy boldest string,
The faintest note to echo which the blast
Caught from the hand of Moses as it passed
O'er Sinai's top, or from the Shepherd-king.
Early awake, by Siloa's brook, to sing
Of dread Jehovah; then, should wood and waste
Hear also of that name, and mercy cast
Off to the mountains, like a covering
Of which the Lord was weary. Weep, oh! weep,
Weep with the good, beholding King and Priest
Despised by that stern God to whom they raise
Their suppliant hands; but holy is the feast
He keepeth; like the firmament his ways:
His statutes like the chambers of the deep.
FROM THE RESTORATION TO THE PRESENT TIMES.
[WHEN I came to this part of the series I had the dream described in this Sonnet. The figure was that of my daughter, and the whole passed exactly as here represented. The Sonnet was composed on the middle road leading from Grasmere to Ambleside it was begun as I left the last house of the vale, and finished, word for word as it now stands, before I came in view of Rydal. I wish I could say the same of the five or six hundred I have written: most of them were frequently retouched in the course of composition, and, not a few, laboriously.
I have only further to observe that the intended Church which prompted these Sonnets was erected on Coleorton Moor towards the centre of a very populous parish between three and four miles from Ashby-de-la-Zouch, on the road to Loughborough, and has proved, I believe, a great benefit to the neighbour hood.]
I SAW the figure of a lovely Maid
Seated alone beneath a darksome tree,
Whose fondly-overhanging canopy
Set off her brightness with a pleasing shade.
No Spirit was she; that my heart betrayed,
For she was one I loved exceedingly;
But while I gazed in tender reverie
(Or was it sleep that with my Fancy played ?)
The bright corporeal presence-form and face-
Remaining still distinct grew thin and rare,
Like sunny mist;-at length the golden hair,
Shape, limbs, and heavenly features, keeping pace
Each with the other in a lingering race
Of dissolution, melted into air.