To change such odious theme were best,-
What think'st thou of our stranger guest ?"-

XV.

I

"What think I of him ?-woe the while
That brought such wanderer to our isle!
Thy father's battle-brand, of yore
For Tine-man forged by fairy lore,
What time he leagued, no longer foes,
His Border spears with Hotspur's bows,
Did, self-unscabbarded, foreshow

The footstep of a secret foe. "

If courtly spy hath harbour'd here,
What may we for the Douglas fear?
What for this island, deem'd of old

Archibald, the third Earl of Douglas, was so unfortunate in all his enterprises, that he acquired the epithet of TINE-MAN, because he tined, or lost, his followers in every battle which he fought. He was vanquished, as every reader must remember, in the bloody battle of Homildon-hill, near Wooler, where he himself lost an eye, and was made prisoner by Hotspur. He was no less unfortunate when allied with Percy, being wounded and taken at the battle of Shrewsbury. He was so unsuccessful in an attempt to besiege Roxburgh Castle, that it was called the Foul Raid, or disgraceful expedition. His ill fortune left him indeed at the battle of Beaugé, in France; but it was only to return with double emphasis at the subsequent action of Vernoil, the last and most unlucky of his encounters, in which he fell, with the flower of the Scottish chivalry, then serving as auxiliaries in France, and about two thousand common soldiers, A. D. 1424.

2 [See Appendix, Note D.]

Clan-Alpine's last and surest hold?
If neither spy nor foe, I pray

What yet may jealous Roderick say?
-Nay, wave not thy disdainful head,
Bethink thee of the discord dread,
That kindled when at Beltane game
Thou ledst the dance with Malcolm Græme;
Still, though thy sire the peace renew'd,
Smoulders in Roderick's breast the feud;
Beware!-But hark, what sounds are these?'
My dull ears catch no faltering breeze,
No weeping birch, nor aspens wake,
Nor breath is dimpling in the lake,
Still is the canna's hoary beard,

2

Yet, by my minstrel faith, I heard-
And hark again! some pipe of war
Sends the bold pibroch from afar."

XVI.

Far up the lengthen'd lake were spied
Four darkening specks upon the tide,
That, slow enlarging on the view,
Four mann'd and masted barges grew,
And, bearing downwards from Glengyle,

["The moving picture-the effect of the sounds-and the wild character and strong peculiar nationality of the whole procession, are given with inimitable spirit and power of expression." -JEFFREY.]

2 Cotton-grass.

Steer'd full upon the lonely isle;
The point of Brianchoil they pass'd,
And, to the windward as they cast,
Against the sun they gave to shine
The bold Sir Roderick's banner'd Pine.
Nearer and nearer as they bear,
Spear, pikes, and axes flash in air.

Now might you see the tartans brave,
And plaids and plumage dance and wave:
Now see the bonnets sink and rise,
As his tough oar the rower plies;
See, flashing at each sturdy stroke,
The wave ascending into smoke;
See the proud pipers on the bow,
And mark the gaudy streamers flow
From their loud chanters down, and sweep
The furrow'd bosom of the deep,

As, rushing through the lake amain,
They plied the ancient Highland strain.

XVII.

Ever, as on they bore, more loud
And louder rung the pibroch proud.
At first the sound, by distance tame,
Mellow'd along the waters came,
And, lingering long by cape and bay,
Wail'd every harsher note away,

The pipe of the bagpipe.

Then bursting bolder on the ear,

The clan's shrill Gathering they could hear;
Those thrilling sounds, that call the might
Of old Clan-Alpine to the fight.'
Thick beat the rapid notes, as when
The mustering hundreds shake the glen,
And hurrying at the signal dread,
The batter'd earth returns their tread.
Then prelude light, of livelier tone,
Express'd their merry marching on,
Ere peal of closing battle rose

With mingled outcry, shrieks, and blows;
And mimic din of stroke and ward,
As broadsword upon target jarr'd;
And groaning pause, ere yet again,

The connoisseurs in pipe-music affect to discover in a wellcomposed pibroch, the imitative sounds of march, conflict, flight, pursuit, and all the "current of a heady fight." To this opinion Dr. Beattie has given his suffrage, in the following elegant passage:-"A pibroch is a species of tune, peculiar, I think, to the Highlands and Western Isles of Scotland. It is performed on a bagpipe, and differs totally from all other music. Its rhythm is so irregular, and its notes, especially in the quick movement, so mixed and huddled together, that a stranger finds it impossible to reconcile his ear to it, so as to perceive its modulation. Some of these pibrochs, being intended to represent a battle, begin with a grave motion, resembling a march; then gradually quicken into the onset; run off with noisy confusion, and turbulent rapidity, to imitate the conflict and pursuit; then swell into a few flourishes of triumphant joy; and perhaps close with the wild and slow wailings of a funeral procession.”—Essay on Laughter and Ludicrous Composition, chap. iii. Note.

Condensed, the battle yell'd amain;
The rapid charge, the rallying shout,
Retreat borne headlong into rout,
And bursts of triumph, to declare
Clan-Alpine's conquest-all were there.
Nor ended thus the strain; but slow
Sunk in a moan prolong'd and low,
And changed the conquering clarion swell,
For wild lament o'er those that fell.

XVIII.

The war-pipes ceased; but lake and hill
Were busy with their echoes still;
And, when they slept, a vocal strain
Bade their hoarse chorus wake again,
While loud a hundred clansmen raise
Their voices in their Chieftain's praise.
Each boatman, bending to his oar,
With measured sweep the burden bore,
In such wild cadence, as the breeze
Makes through December's leafless trees.
The chorus first could Allan know,
"Roderick Vich Alpine, ho! iro!”
And near, and nearer as they row'd,
Distinct the martial ditty flow'd.

XIX.

BOAT SONG.

Hail to the Chief who in triumph advances! Honour'd and bless'd be the ever-green Pine!