High place in battle line, Good hawk and hound for silvan sport, III. SONG CONTINUED. "But if beneath yon southern sky "Or if on life's uncertain main Waste not a sigh on fortune changed, [MS.-"At tourneys where the brave resort."] On thankless courts, or friends estranged, But come where kindred worth shall smile, To greet thee in the lonely isle." IV. As died the sounds upon the tide, His reverend brow was raised to heaven, V. Upon a rock with lichens wild, Lead forth his fleet upon the lake, Yet tell me, then, the maid who knows, Perchance the maiden smiled to see VI. While yet he loiter'd on the spot, The guardian in her bosom chid 66 Thy Malcolm! vain and selfish maid!” 'Twas thus upbraiding conscience said,— "Not so had Malcolm idly hung On the smooth phrase of southern tongue; I [MS.-"The loveliest Lowland fair to spy."] 2 The ancient and powerful family of Graham (which, for metrical reasons, is here spelt after the Scottish pronunciation) held extensive possessions in the counties of Dumbarton and Stirling. Few families can boast of more historical renown, having claim to three of the most remarkable characters in the Scottish annals. Sir John the Græme, the faithful and undaunted partaker of the labours and patriotic warfare of Wallace, fell in the unfortunate field of Falkirk, in 1298. The celebrated Marquis of Montrose, in whom De Retz saw realized his abstract idea of the heroes of antiquity, was the second of these worthies. And, notwithstanding the severity of his temper, and the rigour with which he executed the oppressive mandates of the princes whom he served, I do not hesitate to name as a third, John Græme, of Claverhouse> Viscount of Dundee, whose heroic death, in the arms of victory, may be allowed to cancel the memory of his cruelty to the nonconformists, during the reigns of Charles II. and James II. For of his clan, in hall and bower, Young Malcolm Græme was held the flower. VII. The Minstrel waked his harp-three times Arose the well-known martial chimes, In melancholy murmurs died. "Vainly thou bid'st, O noble maid,” Clasping his wither'd hands, he said, "Vainly thou bid'st me wake the strain, Though all unwont to bid in vain. Alas! than mine a mightier hand Has tuned my harp, my strings has spann'd! And mournful answer notes of woe; And the proud march, which victors tread, O well for me, if mine alone That dirge's deep prophetic tone! This harp, which erst Saint Modan sway'd, ' I am not prepared to show that Saint Modan was a performer on the harp. It was, however, no unsaintly accomplishment; for Saint Dunstan certainly did play upon that instrument, which retaining, as was natural, a portion of the sanctity attached to its master's character, announced future events by its spontaneous sound. "But labouring once in these mechanic arts for a devout matrone that had sett him on work, his violl, that hung by him on the wall, of its own accord, without anie man's helpe, dis |