The Prometheus bound of Aeschylus, tr. in the original metres, by C.B. CayleyJ. C. Hotten, 1867 - 74 páginas |
Otras ediciones - Ver todas
The Prometheus Bound of Aeschylus, Tr. in the Original Metres, by C.B. Cayley Aeschylus Sin vista previa disponible - 2023 |
The Prometheus Bound of Aeschylus, Tr. in the Original Metres, by C. B. Cayley Sin vista previa disponible - 2020 |
Términos y frases comunes
accents algates Algernon Charles Swinburne anguish antique pattern art thou Artemus aught beauty befall'n behold Calydon carved oak Chastelard Chorus cloth coloured copies critics curious destiny Didot's Exquisite Edition Direct application divine dost dramatic earth English evil Facsimile fast'nings fcap flamy framed and glazed GEORGE CRUIKSHANK gods Greek GUSTAVE DORÉ half-morocco Handsomely framed handsomely printed haply hath hear heart Hephaestus Hermes hexameter hither humour iambic trimeter Illustrations Inachus JOHN BUNYAN JOHN CAMDEN HOTTEN Jove Jove's Jupiter Jupiter's Kronos language lightning London LONG PARLIAMENT madness maids mastery metres miseries morocco neat o'er Oceanus Original Poems and Ballads poetic poetry portrait price 6d PROMETHEUS BOUND published ready rehearse Review Scythia story Strength style Swinburne's tell thee Thou'lt reach throne thy rescuer thyself tinted paper toned paper tow'rd tragedy translation unto verse versification volume wanderings wilt Woodcuts words Wyman & Sons
Pasajes populares
Página 8 - If love were what the rose is, And I were like the leaf. If I were what the words are, And love were like the tune, With double sound and single Delight our lips would mingle, With...
Página 6 - Let us for a moment stoop to the arbitration of popular breath, and usurping and uniting in our own persons the incompatible characters of accuser, witness, judge and executioner, let us decide without trial, testimony, or form, that certain motives of those who are " there sitting where we dare not soar,
Página 2 - is the work of a poet. ... Let our readers say whether they often meet with pictures lovelier in themselves or more truly Greek than those in the following invocation to Artemis ; . . . Many strains equal ^to the above in force, beauty and rhythmical flow might be cited from the chorus. Those which set forth the brevity of man's life, and the darkness which enfolds it, though almost irreverent in their impeachment of the gods, are singularly fine in expression. . . . We yet know not to what poet...