COMPOSED.

1819.

1819.

1819.

1819.

1819.

1819.

FIRST PUBLISHED.

Sonnet, The Wild Duck's nest, "The imperial
consort of the Fairy-king,"

Sonnet, written upon a blank leaf in the 'Com-
plete Angler," "While flowing rivers yield a
blameless sport,"

Sonnet, Captivity,-Mary Queen of Scots, "As
the cold aspect of a sunless way,"
Sonnet, To a Snow-drop, "Lone Flower,
hemmed in with snows, and white as they,"
Sonnet, To the river Derwent, "Among the
mountains were we nursed, loved Stream,"
Sonnet, composed in one of the valleys of West-
moreland, on Easter Monday, "With each re-
currence of this glorious morn,"

1819

1819

1819.

Sonnet, "Grief, thou hast lost an ever ready
friend,"

Sonnet, "I watch, and long have watched, with
calm regret,"

1819

1819.

1819.

Sonnet, "I heard, (alas ! 'twas only in a dream),"
The Haunted Tree,

Sonnet, Oxford, May 30, 1820, "Ye sacred
Nurseries of blooming youth,"

1820.

Sonnet, Oxford, "Shame on this faithless heart!
that could allow,”.

1820.

Sonnet, June 1820, "Fame tells of groves

1820. 1820.

The River Duddon: a series of Sonnets,

To the Rev. Dr Wordsworth, with the Sonnets
to the River Duddon, and other poems, "The
Minstrels played their Christmas tune,"

I. "Not envying Latian shades-if yet
they throw."

II. "Child of the clouds! remote from

every taint."

III. "How shall I paint thee?-Be this
naked stone."

IV. "Take, cradled Nursling of the moun

tain, take."

V. "Sole listener, Duddon! to the breeze

that played."

COMPOSED.

1820.

VI. Flowers, "Ere yet our course
graced with social trees."

FIRST PUBLISHED.

was

VII. "Change me, some God, into that
breathing rose !"

VIII.

What aspect bore the Man who roved
or fled."

IX. The Stepping-Stones, "The struggling
Rill insensibly is grown."

X. The same subject, "Not so that Pair
whose youthful spirits dance."

XI. The Faery Chasm, "No fiction was it
of the antique age."

XII. Hints for the Fancy, "On, loitering
Muse-the swift stream chides us-

XIII. Open prospect, "Hail to the fields--
with dwellings sprinkled o'er."
XIV. "O Mountain Stream! the Shepherd
and his Cot."

XV. "From this deep chasm, where quiver-
ing sunbeams play."

XVI. American Tradition, "Such fruitless
questions may not long beguile."

XVII. Return, “A dark plume fetch me from
yon blasted yew."

XVIII. Seathwaite Chapel, "Sacred Religion!
'mother of form and fear.""

XIX. Tributary Stream, "My frame hath
often trembled with delight."

XX. The Plain of Donnerdale, "The old
inventive Poets, had they seen."
XXI. "Whence that low voice? A whisper
from the heart."

XXII. Tradition, "A love-lorn Maid, at some
far-distant time."

XXIII. Sheep-washing, "Sad thoughts, avaunt!
partake we their blithe cheer."
XXIV. The Resting-place, "Mid-noon is past;
-upon the sultry mead."

XXV. "Methinks 'twere no unprecedented

feat."

XXVI. "Return, Content! for fondly I pur-
sued."

XXVII.

Fallen, and diffused into a shapeless
heap."

1820

COMPOSED.

1820.

1820.

1820.

1820.

1820.

1820.

1820.

1820.

1820.

FIRST FUBLISHED.

XXVIII. Journey renewed, "I rose, while yet

the cattle heat-oppressed."

XXIX. "No record tells of lance opposed to

lance."

XXX. "Who swerves from innocence, who
makes divorce."

XXXI. "The Kirk of Ulpha to the pilgrim's

eye."

XXXII. "Not hurled precipitous from steep
to steep."

XXIII. Conclusion, "But here no cannon
thunders to the gale."

XXXIV. After-thought, "I thought of Thee, my
partner and my guide."

Sonnet, "The stars are mansions built by
Nature's hand,"

Sonnet, On the detraction which followed the
publication of a certain poem, "A book came
forth of late called Peter Bell,"
Sonnet, On seeing a tuft of snowdrops in a
storm, "When haughty expectations prostrate
lie."

Sonnet, To the Lady Mary Lowther, "Lady! İ
rifled a Parnassian Cave,"

Sonnet, On the death of His Majesty (George
the Third), "Ward of the Law-dread
Shadow of a King,"

1820

1820

1820

Sonnet, composed on the banks of a rocky
stream, "Dogmatic Teachers of the snow-
white fur!"

The Prioress's Tale (from Chaucer),

Memorials of a Tour on the Continent, 1820,

I. Dedication.

II. Fish-women.-On Landing at Calais.
III. Brugès.

IV. Brugès.

V. After visiting the Field of Waterloo.

VI. Between Namur and Liege.

VII. Aix-la-Chapelle.

VIII. In the Cathedral at Cologne.

IX. In a Carriage, upon the Banks of the

Rhine.

X. Hymn, for the Boatmen, as they ap-
proach the Rapids under the Castle

of Heidelberg.

XI. The Source of the Danube.

COMPOSED.

1820.

FIRST PUBLISHED.

XII. On approaching the Staub-bach, Lauter-
brunnen.

XIII. The Fall of the Aar-Handec.
XIV. Memorial, near the Outlet of the Lane
of Thun.

XV. Composed in one of the Catholic
Cantons.

XVI. After-thought.

XVII. Scene on the Lake of Brientz.

XVIII. Engelberg, the Hill of Angels.

XIX. Our Lady of the Snow.

XX. Effusion, in Presence of the Painted
Tower of Tell, at Altorf.

XXI. The Town of Schwytz.

XXII. On hearing the "Ranz des Vaches" on
the Top of the Pass of St Gothard.

XXIII. Fort Fuentes.

XXIV. The Church of San Salvador, seen
from the Lake of Lugano.

XXV. The Italian Itinerant, and the Swiss
Goatherd.-Part I.

Part II.

XXVI. The Last Supper, by Leonardo da
Vinci, in the Refectory of the Con-

vent of Maria della Grazia-Milan.

XXVII. The Eclipse of the Sun, 1820.
XXVIII. The Three Cottage Girls.

XXIX. The Column intended by Buonaparte
for a Triumphal Edifice in Milan,
now lying by the wayside in the
Simplon Pass.

XXX. Stanzas, composed in the Simplon
Pass.

XXXI. Echo, upon the Gemmi.

XXXII. Processions. Suggested on a Sabbath
Morning in the Vale of Chamouny.

XXXIII. Elegiac Stanzas.

XXXIV. Sky-prospect

France.

From the Plain of

XXXV. On being Stranded near the Harbour
of Boulogne.

XXXVI. After landing-the Valley of Dover,

November 1820.

XXXVII. At Dover.

XXXVIII. Desultory Stanzas.

1822

1820.

To Enterprise.

1822

.

1820.

Sonnet, "There is a little unpretending Rill,"

1820

COMPOSED.

FIRST PUBLISHED.

1821.

1821.

Ecclesiastical Sonnets, in Series,

PART I. From the Introduction of Christianity into Britain,
to the Consummation of the Papal Dominion.

I. Introduction.

II. Conjectures.

III. Trepidation of the Druids.

IV. Druidical Excommunication.

V. Uncertainty.

VI. Persecution.

VII. Recovery.

VIII. Temptations from Roman Refinements.
IX. Dissensions.

X. Struggle of the Britons against the
Barbarians.

XI. Saxon Conquest.

XII. Monastery of old Bangor.

XIII. Casual Incitement.

XIV. Glad Tidings.

XV. Paulinus.

XVI. Persuasion.

XVII. Conversion.

XVIII. Apology.

XIX. Primitive Saxon Clergy.

XX. Other Influences.

XXI. Seclusion.

XXII. Continued.

XXIII. Reproof.

XXIV. Saxon Monasteries, and Lights and

Shades of the Religion.

XXV. Missions and Travels.

XXVI. Alfred.

XXVII. His Descendants.

XXVIII. Influence Abused.

XXIX. Danish Conquests.

XXX. Canute.

XXXI. The Norman Conquest.

XXXII. Coldly we spake. The Saxons, over

powered.

XXXIII. The Council of Clermont.

XXXIV. Crusades.

XXXV. Richard I.

XXXVI. An Interdict.

XXXVII. Papal Abuses.

XXXVIII. Scene in Venice.

XXXIX. Papal Dominion.

1822