The Actor and His Audience

able accepted acting actor actress admiration appeared artist audience become beginning believe better Betterton brought called carry chance character Cibber comes critic doubt dramatists Drury Lane effect emotional engagement English equally evidence example experience expression eyes face fact failed feeling felt figure Garrick gave give given Hamlet hand head idea imagination impression interest Irving Irving's Kean kind knew Lady later leading less living London look manager matter mean merely methods mind natural never night once passage passion performance perhaps person play player playgoers possible reason Sarah Siddons scene seemed seen sense Shakespeare Shaw Siddons speak stage story success tell theatre theatrical thing thought tion took true turn voice whole woman writing written wrote young