Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 páginas |
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Página 59
... Sublime stands out as the first great example of an approach to literature that was to become especially common in critical writing after the mid - eighteenth century . It stresses the impor- tance of emotional transport , of ...
... Sublime stands out as the first great example of an approach to literature that was to become especially common in critical writing after the mid - eighteenth century . It stresses the impor- tance of emotional transport , of ...
Página 62
... Sublime Y OU WILL remember , my dear Postumius Terentianus , that when we examined to- gether the treatise of Caecilius on the Sub- lime , we found that it fell below the dignity of the whole subject , while it failed signally to grasp ...
... Sublime Y OU WILL remember , my dear Postumius Terentianus , that when we examined to- gether the treatise of Caecilius on the Sub- lime , we found that it fell below the dignity of the whole subject , while it failed signally to grasp ...
Página 65
... sublime . VI The best means would be , my friend , to gain , first of all , clear knowledge and appreciation of the true sublime . The enterprise is , however , an arduous one . For the judgment of style is the last and crowning fruit ...
... sublime . VI The best means would be , my friend , to gain , first of all , clear knowledge and appreciation of the true sublime . The enterprise is , however , an arduous one . For the judgment of style is the last and crowning fruit ...
Contenido
INTRODUCTION | 3 |
CLASSICAL ANTIQUITY | 9 |
Horace | 49 |
Derechos de autor | |
Otras 26 secciones no mostradas
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Términos y frases comunes
action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing