Towards a Romantic Conception of Nature: Coleridge's Poetry up to 1803: A study in the history of ideasJohn Benjamins Publishing, 1984 M01 1 - 214 páginas This study describes in detail the development of Coleridge s attitude to nature as it is reflected in his poetry. It analyses the different stages of Coleridge s search for a meaningful relation to nature from an uncritical adoption of the eighteenth century conventions in his early poetry to a projectionist view in his poems of 1802. It offers challenging new readings of some of Coleridge s major poems like The Ancient Mariner and Dejection: an Ode , and tries to rehabilitate some minor ones, like The Picture . Attention is also paid to his relation with Wordsworth. It discusses in detail the philosophical background of Coleridge s views and considers the contribution of German thought to his development. As a whole this study affords a new insight into the genesis of romanticism in England. |
Contenido
| 1 | |
| 13 | |
CHAPTER II THE TRADITIONAL CHARACTER OF COLERIDGES EARLYPOETRY | 25 |
CHAPTER III THE 1796 POEMS AND THEIR PHILOSOPHICAL BACKGROUND | 33 |
CHAPTER IV COLERIDGE AND WORDSWORTH IN 1797THEIR INTEREST IN EVIL AND ALIENATION | 55 |
THE ANCIENT MARINER | 65 |
A COMPANION PIECE TO THE ANCIENT MARINER | 95 |
CHAPTER VII A BRIEF SURVEY OF CONTINENTAL IDEAS ON MAN ANDNATURE | 103 |
DEJECTION AN ODE | 133 |
AN ODE | 147 |
ROMANTIC IRONY IN THE PICTURE | 153 |
CONCLUSION | 169 |
NOTES | 173 |
| 203 | |
| 209 | |
| 213 | |
Otras ediciones - Ver todas
Towards a Romantic Conception of Nature: Coleridge's Poetry Up to 1803 : a ... Hendrik Roelof Rookmaaker Vista previa limitada - 1984 |
Towards a Romantic Conception of Nature: Coleridge's Poetry Up to 1803 : a ... Hendrik Roelof Rookmaaker Sin vista previa disponible - 1984 |
Términos y frases comunes
activity affirms Akenside Akenside’s albatross alienation from nature Ancient Mariner appears argued asserts atheism attitude to nature basis beauty become believes Berkeley Berkeley’s chapter Charles Lamb Christian Coleridge Coleridge’s development Coleridge’s position Coleridge’s thought conception continental thought critics dejection ode Descartes described discussed divine force dream eighteenth century empiricism empiricist Eolian Eolian Harp experience external nature external world fancy fear feeling first German God’s harp Hartley Hartley’s human Ibid ideal ideas imagination implies indicate inner interest in nature interpretation Kant Kubla Khan Leibnitz lines man’s man’s mind mariner’s moral nature poetry nature’s influence necessitarian Neoplatonic notebook one’s pantheistic passage passive perceive Peter Bell phantom phantom girl philosophy Plotinus poem poet poet’s poetic protagonist reality recognized reflection regards reveals role romantic Schiller seems sense perceptions sestet significance soul Spinoza spirit stanza statement suggests superstition things tion unity Werther wind-harp Wordsworth