The Works of John Ruskin: Modern painters, v.1-5J. Wiley, 1887 |
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Términos y frases comunes
Academy pictures aerial aerial perspective Alps appear architecture artist beauty blue Canaletto character characteristic Chateau de Blois chiaroscuro cirri Claude clouds color colorists Copley Fielding curves Cuyp dark degree delicate distance distinct drawing Dulwich edge effect engraver especially evidence execution expression exquisite false farther feeling foliage foreground give given gray ground hills ideas imitation impossible impression instance Italy kind landscape art less light and shade lines look mass means mind mist modern mountain nature never Nicholas Poussin objects observed old masters outline painter painting particular passages peculiar perfect picture pleasure Poussin principles pure qualities rain-cloud reflection rendered respect Rivers of France rock seen shadow skies space specta STANFORD LIBRARIES sublime surface thing thought tint Tintoret tion Titian tone touch transparent trees truth ture Turner vapor Venice vignette visible whole
Pasajes populares
Página 200 - TRUTH OF SKIES. CHAPTER I. OF THE OPEN SKY. IT is a strange thing how little in general people know about the sky. It is the part of creation in which nature has done more for the sake of pleasing man, more for the sole and evident
Página 201 - elemental energies, not in the clash of the hail, nor the drift of the whirlwind, that the highest characters of the sublime are developed. '• God is not in the earthquake, nor in the fire, but in the still small voice.
Página 418 - for she can so inform The mind that is within us, so impress With quietness and beauty, and so feed With lofty thoughts, that neither evil tongnes, Rash judgments, nor the sneers of selfish men Shall e'er
Página 260 - penetrable, fleecy wreaths in the heaven, to give light upon the earth, which move together, hand in hand, company by company, troop by troop, so measured in their unity of motion, that the whole heaven seems to roll with them, and the earth to reel under them. Ask Claude, or his brethren, for that.
Página 152 - wild weather when I left Rome, and all across the Campagna the clouds were sweeping in sulphurous blue, with a clap of thunder or two, and breaking gleams of sun along the Claudian aqueduct lighting up the infinity of its arches like the bridge of chaos. But
Página 267 - We shall first gain some general notion of the broad organization of large masses, and then take those masses to pieces, until we come down to the crumbling soil of the foreground. Mountains are, to the rest of the body of the earth, what violent muscular action is to the body of man. The
Página 374 - of peculiar truth and value ; and instructive as a contrast to the dark shadows of his earlier time. Few people, comparatively, have ever seen the effect on the sea of a powerful gale continued without intermission for three or four days and nights, and to those who have not, I believe it § 38. Effect of
Página 260 - domes flushing that heaven about them and above them, piercing with purer light through its purple lines of lifted cloud, casting a new glory on every wreath as it passes by, until the whole * Illustration to the Antiquary. Goldeau, a recent drawing of the highest order.
Página 259 - and inaccessible, their very bases vanishing in the unsubstantial and mocking blue of the deep lake below, f Has Claude given this ? Wait yet a little longer, and you shall see those mists gather themselves into white towers, and stand like fortresses along the promontories, massy and motionless, only piled with every instant higher and higher into the
Página 8 - technicalities, difficulties, and particular ends, is nothing but a noble and expressive language, invaluable as the vehicle of thought, but by itself nothing. He who has learned what is commonly considered the whole art of painting, that is, the art of representing any natural object faithfully, has as yet only learned the language by which his thoughts are to be expressed.