XV.

From the steep promontory gazed
The stranger, raptured and amazed,
And, "What a scene were here," he cried,
"For princely pomp or churchman's pride!
On this bold brow, a lordly tower;
In that soft vale, a lady's bower;
On yonder meadow far away,
The turrets of a cloister gray;
How blithely might the bugle-horn
Chide on the lake the lingering morn!
How sweet at eve the lover's lute

Chime when the groves were still and mute!
And when the midnight moon should lave
Her forehead in the silver wave,

How solemn on the ear would come
The holy matins' distant hum,
While the deep peal's commanding tone
Should wake, in yonder islet lone,
A sainted hermit from his cell,
To drop a bead with every knell !
And bugle, lute, and bell, and all,
Should each bewildered stranger call
To friendly feast and lighted hall.

Like that same hermit's, thin and spare,
The copse must give my evening fare;
Some mossy bank my couch must be,
Some rustling oak my canopy.
Yet pass we that; the war and chase
Give little choice of resting-place; -
A summer night in greenwood spent
Were but to-morrow's merriment :
But hosts may in these wilds abound,
Such as are better missed than found;
To meet with Highland plunderers here
Were worse than loss of steed or deer.
I am alone; - my bugle-strain
May call some straggler of the train;
Or, fall the worse that may betide,
Ere now this falchion has been tried."

XVII.

But scarce again his horn he wound,
When lo! forth starting at the sound,
From underneath an aged oak
That slanted from the islet rock,
A damsel guider of its way,
A little skiff shot to the bay,
That round the promontory steep
Led its deep line in graceful sweep,
Eddying, in almost viewless wave,
The weeping willow twig to lave,

And kiss, with whispering sound and slow,

And stood concealed amid the brake,
To view this Lady of the Lake.
The maiden paused, as if again
She thought to catch the distant strain.
With head upraised, and look intent,
And eye and ear attentive bent,

And locks flung back, and lips apart,
Like monument of Grecian art,

In listening mood, she seemed to stand,
The guardian Naiad of the strand.

XVIII.

And ne'er did Grecian chisel trace
A Nymph, a Naiad, or a Grace,
Of finer form or lovelier face!

What though the sun, with ardent frown,
Had slightly tinged her cheek with brown,-
The sportive toil, which, short and light,
Had dyed her glowing hue so bright,
Served too in hastier swell to show
Short glimpses of a breast of snow :
What though no rule of courtly grace
To measured mood had trained her

A foot more light, a step more true,

расе,

Ne'er from the heath-flower dashed the dew; E'en the slight harebell raised its head, Elastic from her airy tread:

What though upon her speech there hung

The accents of the mountain tongue,

Those silver sounds, so soft, so dear,
The listener held his breath to hear!

XIX.

A chieftain's daughter seemed the maid; Her satin snood, her silken plaid,

Her golden brooch, such birth betrayed.
And seldom was a snood amid

Such wild luxuriant ringlets hid,
Whose glossy black to shame might bring
The plumage of the raven's wing;

And seldom o'er a breast so fair
Mantled a plaid with modest care,
And never brooch the folds combined
Above a heart more good and kind.
Her kindness and her worth to spy,
You need but gaze on Ellen's eye;
Not Katrine in her mirror blue
Gives back the shaggy banks more true,
Than every free-born glance confessed
The guileless movements of her breast;
Whether joy danced in her dark eye,
Or woe or pity claimed a sigh,
Or filial love was glowing there,
Or meek devotion poured a prayer,
Or tale of injury called forth
The indignant spirit of the North.
One only passion unrevealed

With maiden pride the maid concealed,