The End of the Mind: The Edge of the Intelligible in Hardy, Stevens, Larking, Plath, and GluckRoutledge, 2005 M02 10 - 288 páginas This book seeks to include among accounts of modern lyric poetry a theory of the poem's relation to the unintelligible. DeSales Harrison draws a distinction between sites of unintelligibility and sights of difficulty; while much has been said about modernist difficulty, little has been said about the attention that poets give to phenomena that by definition arrest, impede, obscure, damage, or destroy the capacity for intelligible representation. |
Contenido
Introduction Strange Resistances
| 1 |
The Broken Lyre
| 26 |
A Foreign Song
| 59 |
Rather Than Words
| 92 |
The Stars Dark Address
| 128 |
I Was Here
| 156 |
Conclusion Other Ends of the Mind
| 209 |
Notes | 222 |
| 238 | |
| 244 | |
Otras ediciones - Ver todas
The End of the Mind: The Edge of the Intelligible in Hardy, Stevens, Larking ... DeSales Harrison Vista previa limitada - 2005 |
The End of the Mind: The Edge of the Intelligible in Hardy, Stevens, Larkin ... DeSales Harrison Vista previa limitada - 2005 |
The End of the Mind: The Edge of the Intelligible in Hardy, Stevens, Larking ... Desales Harrison Sin vista previa disponible - 2013 |
Términos y frases comunes
absence achieved Allen Grossman Arundel Tomb assertion bird blue body branching linguistic breath central claim color conflict damage dark Darkling Thrush dead death Descending Figure describes desire distance distinct dream Eliot Emma’s experience face fact father feeling formal Frost fundamental gesture Glück Grossman Hardy Hardy’s human meaning imagine impediments impersonal implies inherent intelligibility Lady Lazarus landscape language Larkin Louise Glück lyric manifest Meadowlands meaningless metaphor mind mirror mortal Munich Mannequins narrative nature never one’s person Philip Larkin Plath poem poem’s poet poet’s poetic poetry present Prestatyn question radical reader realm reflection remains representation resembles resistance rhetoric seeks sense silence song soul speak speaker specific speech stands stanza Stevens Stevensian struggle surface Sylvia Plath things utterance violin Vita Nova voice Wallace Stevens West-running Brook Whitsun Weddings Wild Iris words writing Yeats’s